Aidan Moffat's 'Abduction Lullaby - Studio Version' had a release date set for November 16, 2017. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Abduction Lullaby - Studio Version's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Songs That Weren't to Be". In this album, this song's track order is #6. Abduction Lullaby - Studio Version is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Abduction Lullaby - Studio Version by Aidan Moffat having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When We Had Faces | Gavin Clark | D Major | 3 | 10B | 132 BPM | ||
| Pan Ddaw'r Wawr | Super Furry Animals | A Minor | 3 | 8A | 127 BPM | ||
| Hard Drive | Evan Dando | G Minor | 2 | 6A | 136 BPM | ||
| Big Friday | Will Oldham | D Major | 3 | 10B | 125 BPM | ||
| To a Door | Steve Mason | C Major | 6 | 8B | 115 BPM | ||
| John | Bill Ryder-Jones | A♭ Major | 4 | 4B | 80 BPM | ||
| One of Us Is Dead | The Earlies | C Minor | 5 | 5A | 90 BPM | ||
| Everything Goes | Aidan Moffat, RM Hubbert | D Major | 3 | 10B | 106 BPM | ||
| Leave No Traces | John Bramwell | F Major | 4 | 7B | 127 BPM | ||
| And So We Must Rest | Bill Wells, Aidan Moffat | B♭ Major | 5 | 6B | 106 BPM | ||
| Dress Sexy At My Funeral | Smog | G Minor | 5 | 6A | 96 BPM | ||
| Wall Song | Aidan Moffat | G Major | 5 | 9B | 114 BPM | ||
| Beautiful Cosmos | Ivor Cutler | D♭ Major | 1 | 3B | 118 BPM | ||
| Toy Tigers | Lau | B Minor | 6 | 10A | 62 BPM | ||
| Ocean | Adrian Crowley | F Major | 3 | 7B | 118 BPM | ||
| The Young People | Lankum | C Major | 3 | 8B | 97 BPM | ||
| Mathematics | Cherry Ghost | A Major | 9 | 11B | 105 BPM | ||
| Redwings | Guillemots | B♭ Major | 3 | 6B | 141 BPM | ||
| Vessel In Vain | Smog | B Major | 4 | 1B | 132 BPM | ||
| This, Whatever It Is, Needs Improvements | Hamish Hawk | C Major | 3 | 8B | 117 BPM | ||
| On the Motorway | Bill Wells | A Minor | 7 | 8A | 176 BPM | ||
| Rock Bottom Riser | Smog | B Major | 2 | 1B | 158 BPM | ||
| Dinner Time | Bill Wells, Aidan Moffat | A Minor | 8 | 8A | 75 BPM | ||
| I Hate Scotland | Ballboy | A♭ Major | 9 | 4B | 141 BPM | ||
| Green Grow the Rashes, O (Live) | Michael Marra, Mr McFall's Chamber | E♭ Major | 3 | 5B | 126 BPM |