"The House of Beorn - Extended Version" by Howard Shore had its release date on December 10, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 29 in the song's album "The Hobbit: The Desolation of Smaug (Original Motion Picture Soundtrack) [Special Edition]". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. The House of Beorn - Extended Version is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The House of Beorn - Extended Version by Howard Shore having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Blue Flames Part I | Daniel Pemberton | A Minor | 1 | 8A | 57 BPM | ||
| Essence of Anguish | Grant Kirkhope, Neal Acree, David Arkenstone, World of Warcraft, Blizzard Entertainment | A Major | 4 | 11B | 106 BPM | ||
| Good Thing You Were Listening | John Powell | D Minor | 1 | 7A | 67 BPM | ||
| Thrain - From The Hobbit: The Desolation of Smaug Extended Edition; Bonus Track | Howard Shore | F Major | 3 | 7B | 75 BPM | ||
| The Nature of Evil | Howard Shore | D Minor | 1 | 7A | 86 BPM | ||
| Calm Before the Storm | Chance Thomas | D Major | 2 | 10B | 174 BPM | ||
| Main Title | James Horner | C Major | 0 | 8B | 169 BPM | ||
| The Fallen | Howard Shore | E Minor | 10 | 9A | 104 BPM | ||
| Battle of Sodden | Sonya Belousova, Giona Ostinelli | G Major | 7 | 9B | 130 BPM | ||
| Uncharted Islands | Glenn Stafford, World of Warcraft, Blizzard Entertainment | C Minor | 2 | 5A | 82 BPM | ||
| Attack On Murron | James Horner, London Symphony Orchestra | D♭ Major | 1 | 3B | 106 BPM | ||
| Warp Core Values | Michael Giacchino | B♭ Major | 4 | 6B | 93 BPM | ||
| One Man At A Time | Rupert Gregson-Williams | D Major | 5 | 10B | 116 BPM | ||
| Eshkeri: Flying Vessel | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 4 | 9B | 83 BPM | ||
| The World Beneath | Trevor Jones | A Major | 0 | 11B | 80 BPM | ||
| Infiltrate the Citadel | Rohan Stevenson | C Minor | 4 | 5A | 86 BPM | ||
| The Way We Win Matters | Steve Jablonsky | F Minor | 1 | 4A | 141 BPM | ||
| The Passing of Théoden | Howard Shore | D Minor | 0 | 7A | 81 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| Discovering Deer Cave | George Fenton | D Major | 2 | 10B | 86 BPM | ||
| Aughra Awakes | Daniel Pemberton | D Minor | 1 | 7A | 82 BPM | ||
| Morgana Close to Death | Rohan Stevenson | G Minor | 1 | 6A | 96 BPM | ||
| Canadian Lynx | Jacob Shea | F Major | 2 | 7B | 73 BPM | ||
| Landing of the French | Marc Streitenfeld | A Minor | 5 | 8A | 185 BPM | ||
| Light Comes Before Dark | Two Steps from Hell, Thomas Bergersen | D Minor | 1 | 7A | 60 BPM |