Rajesh Bisen's ' "Barse Barse Rang Barse" was released on its scheduled release date, February 1, 2010. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 12 in Barse Barse Rang Barse by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Barse Barse Rang Barse is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Barse Barse Rang Barse by Rajesh Bisen is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ram Ashtakam | Mangesh Borgaonkar | C Minor | 4 | 5A | 80 BPM | ||
| Madi Ashapura Ne | Master Rana | F Minor | 6 | 4A | 68 BPM | ||
| Jota Haiyu Maru Harkhay | Asif Jeriya | F Minor | 6 | 4A | 118 BPM | ||
| He Ma Sharda | Satish Dehra, Foram Maheta | E♭ Major | 5 | 5B | 185 BPM | ||
| Ghei Ghei Majhe Vache | Vishnubua Vavnjekar | E♭ Minor | 7 | 2A | 93 BPM | ||
| Maruti Nandan Namo Namah (Shri Hanuman Dhun) | Pramod Kishan, Sarita Joshi | D Major | 6 | 10B | 148 BPM | ||
| Om Jai Mahaveer Prabho | Rajendra Jain | G Major | 6 | 9B | 90 BPM | ||
| Akshar Na Vachi | Harikrishna Patel | F Major | 5 | 7B | 79 BPM | ||
| Sohang Ram Ram | Dhun | Santram Dhun | Hari cassettes | E♭ Minor | 8 | 2A | 80 BPM | ||
| Sayankalnu Devvandan | SRMD Bhakti | D Major | 2 | 10B | 112 BPM | ||
| Traipuraagra Vaase | Sri Ganapathy Sachchidananda Swamiji | F♯ Minor | 5 | 11A | 170 BPM | ||
| Kabutar Besharam, Pt. 2 | Ritu Pathak, Rajesh Bisen | D♭ Major | 10 | 3B | 140 BPM | ||
| shri Gajanan Maharaj Aarti | Rushikant Mesekar | A♭ Minor | 5 | 1A | 164 BPM | ||
| Itna Tu Karna Swami | Shri Prakash Gossai | F Major | 5 | 7B | 106 BPM | ||
| Sri Hanumanth Bhujangam | Malola Kannan | C Major | 8 | 8B | 114 BPM | ||
| Bala Ji Pyare | Bhai Sunil Rawat | G Major | 4 | 9B | 136 BPM | ||
| Hey Dukh Bhanjan | Aryan Das | A♭ Minor | 8 | 1A | 90 BPM | ||
| Bahu Punya Kera Punjthi | SRMD Bhakti | D♭ Major | 3 | 3B | 114 BPM | ||
| Aeva Yamunaji Na Pan | Anupama Deshpande / Bhumi / Sachin Limaye / Mandar Shinde | F Minor | 5 | 4A | 78 BPM | ||
| Gauri Gauri Gange | Yogi Hari | D♭ Major | 5 | 3B | 172 BPM | ||
| Renuka Ashtak | Kumaar Sanjeev | F♯ Major | 6 | 2B | 100 BPM | ||
| Upadrav Raksha Mantra | Jitender Singh | E♭ Major | 6 | 5B | 91 BPM | ||
| Annapoorna Stotra | Archana Udupa, Nanditha | G Minor | 3 | 6A | 111 BPM | ||
| Datta Tuhi Vidhi | Sri Ganapathy Sachchidananda Swamiji | C Major | 6 | 8B | 123 BPM | ||
| Darshan Dyo | Anupama Deshpande / Bhumi / Sachin Limaye / Mandar Shinde | G Minor | 5 | 6A | 84 BPM |