"Baltimore (For Adnan)" by Frally had its release date on March 28, 2025. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Baltimore (For Adnan)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Frally's "Message from the Future" album is number 3 out of 6. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, Baltimore (For Adnan)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Baltimore (For Adnan) by Frally to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Take Me To The Water | Universal Production Music | F♯ Major | 3 | 2B | 78 BPM | ||
| Darkness Song - In A Box III Version | Asaf Avidan | D Major | 2 | 10B | 97 BPM | ||
| Can't Afford to Leave | David O'Dowda | F Major | 2 | 7B | 144 BPM | ||
| Total Eclipse of the Heart | Angie McMahon | G Major | 3 | 9B | 130 BPM | ||
| Not Supposed To Miss You (feat. Ben Lee) | Frally | D♭ Major | 4 | 3B | 133 BPM | ||
| Beauty - Acoustic | Love Supreme | G Minor | 3 | 6A | 142 BPM | ||
| Floating Like Angels | Various Artists, David O'Dowda | F♯ Minor | 5 | 11A | 81 BPM | ||
| Bring That River Home | Raye Zaragoza, Beza | B♭ Major | 3 | 6B | 78 BPM | ||
| The Small Fire | Mick Flannery | G Minor | 3 | 6A | 69 BPM | ||
| The Killer (feat. Jaida Dreyer) | Kevin Costner & Modern West, Jaida Dreyer | A Major | 2 | 11B | 75 BPM | ||
| Blend | Aldous Harding | D♭ Minor | 3 | 12A | 126 BPM | ||
| The Age of Believing | Aron Wright | F♯ Minor | 3 | 11A | 57 BPM | ||
| The Only Thing Worth Fighting For - From The HBO Series True Detective | Lera Lynn | A Minor | 2 | 8A | 113 BPM | ||
| Lost Girl (Music from the Netflix Original Film) | Lucinda Williams | G Major | 5 | 9B | 176 BPM | ||
| Stand Close | CALIFORNIA GOLD | C Major | 4 | 8B | 130 BPM | ||
| All Out of Catastrophes | Marissa Nadler | G Major | 3 | 9B | 171 BPM | ||
| I Know You Know Me (With Matt Berninger) | Caroline Spence, Matt Berninger | F Major | 2 | 7B | 75 BPM | ||
| Willow | Tindersticks, Robert Pattinson | C Major | 1 | 8B | 140 BPM | ||
| This Is What It Feels Like | Frally | D♭ Major | 3 | 3B | 121 BPM | ||
| The Shape of a Storm | Damien Jurado | A♭ Major | 1 | 4B | 159 BPM | ||
| Let the Devil In | The Sweet Serenades | F Minor | 2 | 4A | 120 BPM | ||
| I Don't Want Your Voice to Move Me | Laura Gibson | A Major | 2 | 11B | 139 BPM | ||
| Again | Family Band | E Minor | 3 | 9A | 78 BPM | ||
| Older | Camille Beluze | C Major | 1 | 8B | 156 BPM | ||
| Fading To Black | Michael Joseph Wofford, Izzi Ray | A Minor | 2 | 8A | 91 BPM |