"The Debate" by Rohan Stevenson had its release date on March 4, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rohan Stevenson's "Music from Casualty 1900's" album is number 22 out of 23. Based on our statistics, The Debate's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Debate by Rohan Stevenson to be Allegro (fast, quick, and bright) because the track has a tempo of 155 BPM, a half-time of 78BPM, and a double-time of 310 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maria's Sacrifice | Christian Henson | G Major | 3 | 9B | 80 BPM | ||
| Clary's Theme | Atli Örvarsson | D Minor | 1 | 7A | 95 BPM | ||
| Cutting The Rope | Harald Kloser | D Minor | 0 | 7A | 143 BPM | ||
| Heavens Charge | Darren Leigh Purkiss, Rohan Stevenson | E♭ Major | 5 | 5B | 82 BPM | ||
| The Two Moon Princesses | Christian Henson | F♯ Minor | 1 | 11A | 115 BPM | ||
| Court | John Lunn | A Minor | 2 | 8A | 134 BPM | ||
| Départ chez la Bête | Pierre Adenot | A Minor | 2 | 8A | 69 BPM | ||
| Passing The Flame | James Shearman | C Major | 2 | 8B | 83 BPM | ||
| Catherine and Harry | Chris Egan, Samuel Sim | B Major | 0 | 1B | 88 BPM | ||
| A Seam of Ironstone | Anne Dudley, The Chamber Orchestra Of London | D Minor | 2 | 7A | 63 BPM | ||
| The TCBS | Thomas Newman | D Minor | 2 | 7A | 144 BPM | ||
| Page 47 | Trevor Rabin | D Minor | 3 | 7A | 120 BPM | ||
| In A Sea Of Clouds | Junkie XL | G Minor | 2 | 6A | 62 BPM | ||
| Mystic Dawn (Academy Theme) | chuck e. myers 'sea' | E Minor | 4 | 9A | 86 BPM | ||
| Breaking the Spell | Rob Lane | F Minor | 2 | 4A | 97 BPM | ||
| The Last Farewell | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
| Milk and Cookies | Christian Henson | G Minor | 0 | 6A | 152 BPM | ||
| Sweet Water | David Arnold | C Major | 1 | 8B | 67 BPM | ||
| Kings and Queens | Thomas Newman, Thomas Bowes, London Voices, Ben Parry, Terry Edwards, Grace Davidson, George Doering, Phil Todd, Sonia Slany, Paul Clarvis, Nick Cooper, Andrew Cronshaw | C Major | 0 | 8B | 74 BPM | ||
| I Was Not Brave | Harald Kloser, Thomas Wander | G Minor | 1 | 6A | 55 BPM | ||
| Percy Jackson: Sea of Monsters - Main Titles | Andrew Lockington, Tiff Randol, Nicholas Dodd | C Major | 4 | 8B | 140 BPM | ||
| Trying To Relate | George Fenton | C Major | 0 | 8B | 97 BPM | ||
| Young Nickerson | Roque Baños | F Major | 2 | 7B | 132 BPM | ||
| Where the Land Meets the Sea | Anne Dudley, The Chamber Orchestra Of London | D Major | 2 | 10B | 131 BPM | ||
| Leaving Storybrooke | Mark Isham | E Minor | 2 | 9A | 76 BPM |