Conjunto Berretin's ' "Tango to Evora" was released on its scheduled release date, January 1, 2005. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Tango to Evora's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Tangamente: Tangos a la parilla para bailar". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. In terms of popularity, Tango to Evora is currently average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Tango to Evora by Conjunto Berretin having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El Puntazo | Solo Tango Orquesta | G Major | 5 | 9B | 122 BPM | ||
| La Milonga de Mis Tiempos | Hyperion Ensemble | B♭ Minor | 5 | 3A | 107 BPM | ||
| Indio Manso | Orquesta Carlos di Sarli | A Minor | 4 | 8A | 114 BPM | ||
| Tanguera | Fabio Hager Sexteto | F Minor | 4 | 4A | 124 BPM | ||
| El Día Después | Carlos Libedinsky | D Minor | 4 | 7A | 172 BPM | ||
| Gipsy Vals | El Cachivache Quinteto | A Minor | 2 | 8A | 168 BPM | ||
| Tango Nuevo | Roberto Vally | E Minor | 4 | 9A | 106 BPM | ||
| De Floreo | Color Tango | E Minor | 2 | 9A | 117 BPM | ||
| Quizas, Quizas, Quizas | Craig Einhorn | E Minor | 3 | 9A | 120 BPM | ||
| Quiero Ser Tu Sombra | Trio Garufa | A Minor | 4 | 8A | 96 BPM | ||
| Felicia | Conjunto Berretin | D Minor | 4 | 7A | 131 BPM | ||
| Blues para Astor | Conjunto Berretin | G Minor | 3 | 6A | 132 BPM | ||
| Ostinato | Carla Pugliese | D Minor | 8 | 7A | 160 BPM | ||
| Tendrás un Altar | Hugo Díaz | B♭ Major | 3 | 6B | 112 BPM | ||
| Volvamos a empezar | Hyperion Ensemble, Ruben Peloni | C Minor | 4 | 5A | 124 BPM | ||
| Les yeux noirs | Daniel Colin | D Minor | 4 | 7A | 201 BPM | ||
| Silbando | Trio Pantango, Dirk Luking | C Major | 2 | 8B | 119 BPM | ||
| Solino Waltz | Jannos Eolou | E Minor | 4 | 9A | 181 BPM | ||
| La Boca | Evanthia Reboutsika | A♭ Major | 2 | 4B | 56 BPM | ||
| Sanata | Amores Tangos | F Minor | 4 | 4A | 119 BPM | ||
| Higher Ground | Tangothic | A Major | 7 | 11B | 120 BPM | ||
| Transilvanyca | El Cachivache Quinteto | C Minor | 4 | 5A | 120 BPM | ||
| Historia de un Amor | Conjunto Berretin | C Minor | 5 | 5A | 106 BPM | ||
| Yunta de oro | Orquesta Color Tango De Roberto Alvarez | C Minor | 3 | 5A | 117 BPM | ||
| Loca | La Juan D'Arienzo | E Minor | 3 | 9A | 137 BPM |