"Social Decay" by Jeff Broadbent had its release date on October 23, 2020. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Social Decay's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jeff Broadbent's "Jeff Broadbent, Vol. 1" album is number 38 out of 50. Social Decay is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Social Decay by Jeff Broadbent to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Duke Fishron | Scott Lloyd Shelly, Re-Logic | D♭ Major | 8 | 3B | 110 BPM | ||
| Sandstorm | George Strezov | A Minor | 4 | 8A | 195 BPM | ||
| Combat & Extras: E:D Menus | Erasmus Talbot | A Minor | 2 | 8A | 115 BPM | ||
| Prisoner's Re Awakening | Yoann Laulan | A♭ Major | 5 | 4B | 140 BPM | ||
| One Spark | Jordan Chin | B♭ Minor | 4 | 3A | 180 BPM | ||
| Absolute Zero | Sophus Alf, Troels Rohde Jørgensen | C Minor | 0 | 5A | 66 BPM | ||
| Rise and Prevail | Inon Zur, Fallout | G Major | 5 | 9B | 96 BPM | ||
| The Point of No Return | Artur Tokhtash, World of Warships Music Group | C Major | 2 | 8B | 117 BPM | ||
| Mines of Avarice Combat - Tiny Tina's Assault on Dragon Keep | Raison Varner | A Minor | 4 | 8A | 144 BPM | ||
| Title Track | Robot Entertainment | D♭ Major | 4 | 3B | 96 BPM | ||
| Monarch | Dutonic | B Major | 9 | 1B | 97 BPM | ||
| Forgotten Castle | Harry Mack | E Major | 4 | 12B | 81 BPM | ||
| Enchanted Blue | Jonathan Van Den Wijngaarden, Re-Logic | D Minor | 5 | 7A | 90 BPM | ||
| Arrival | Harry Callaghan | G Major | 1 | 9B | 84 BPM | ||
| Uncontrolled Variables | David Fenn | D Minor | 4 | 7A | 135 BPM | ||
| Laboratory Nightmares | Jeff Broadbent | B Minor | 10 | 10A | 154 BPM | ||
| The Captain | Lifeformed, Janice Kwan | C Major | 3 | 8B | 128 BPM | ||
| Steel Dawn Main Theme | Inon Zur, Fallout | G Minor | 4 | 6A | 67 BPM | ||
| Kingdom Rush Original Map | Hyperduck Soundworks | F Minor | 3 | 4A | 130 BPM | ||
| Far from Lifeless | Jeff Broadbent | D♭ Major | 4 | 3B | 165 BPM | ||
| For The Order! | J.D. Spears | D♭ Major | 4 | 3B | 120 BPM | ||
| Alt Title | Scott Lloyd Shelly, Re-Logic | G Major | 4 | 9B | 100 BPM | ||
| Left Behind | Adam Schneider | D Major | 2 | 10B | 180 BPM | ||
| H.M.S Orca Theme | Oli Wood | D Major | 6 | 10B | 75 BPM | ||
| As the Clocks Tick | Harry Mack | G Minor | 2 | 6A | 100 BPM |