Howie Day's 'Be There' had a release date set for September 3, 2009. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Sound The Alarm". In this album, this song's track order is #5. In terms of popularity, Be There is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Be There by Howie Day having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't Give Up | Ferras | F Minor | 9 | 4A | 127 BPM | ||
| Best Not to Think About It | Athlete | D Major | 5 | 10B | 90 BPM | ||
| The Real Thing | Bo Bice | D Major | 9 | 10B | 147 BPM | ||
| Gentlemen | Teddy Geiger | E♭ Major | 8 | 5B | 165 BPM | ||
| Off We Go (feat. Erin McCarley) | Trent Dabbs, Erin McCarley | A♭ Minor | 9 | 1A | 100 BPM | ||
| Our Story | Graham Colton | A♭ Major | 5 | 4B | 80 BPM | ||
| Where We Started | Dinner and a Suit | D♭ Major | 6 | 3B | 158 BPM | ||
| Come Home | OneRepublic | C Major | 2 | 8B | 75 BPM | ||
| It Is What It Is | Lifehouse | B Major | 7 | 1B | 84 BPM | ||
| I Won't Let You Down Again | Matthew Perryman Jones | C Major | 6 | 8B | 105 BPM | ||
| Without a Clue | Matthew Perryman Jones | B♭ Major | 7 | 6B | 120 BPM | ||
| Restless | Switchfoot | B Major | 7 | 1B | 162 BPM | ||
| Speakers | Days Difference | C Major | 7 | 8B | 116 BPM | ||
| Don’t Fade Away | Sunday Cinema | E Major | 4 | 12B | 106 BPM | ||
| All That I Wanted | Evan And Jaron | E♭ Major | 9 | 5B | 88 BPM | ||
| Collide | Dishwalla | A Major | 4 | 11B | 173 BPM | ||
| Moonlight | Thriving Ivory | F♯ Major | 9 | 2B | 103 BPM | ||
| Going Going Gone | Paloalto | A♭ Major | 9 | 4B | 116 BPM | ||
| Sweetest Goodbye | Stephen Kellogg and The Sixers | B♭ Major | 6 | 6B | 164 BPM | ||
| Love, Save The Empty | Erin McCarley | E Major | 9 | 12B | 142 BPM | ||
| Never Let You Down | The Verve Pipe | G Major | 9 | 9B | 106 BPM | ||
| The Blues | Switchfoot | D Major | 7 | 10B | 78 BPM | ||
| Disco | Howie Day | A Minor | 6 | 8A | 183 BPM | ||
| You & A Promise | Howie Day | D♭ Major | 7 | 3B | 89 BPM | ||
| Return to Me | Matthew Ryan | A♭ Major | 7 | 4B | 90 BPM |