Anonymous, Charles Carter, Florida State University Marching Chiefs, Patrick Dunnigan's 'Victory Song and Stop Chorus (arr. C. Martin for wind ensemble)' had a release date set for October 29, 2013. With This song being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Survived Eight Home Games". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Victory Song and Stop Chorus (arr. C. Martin for wind ensemble)'s popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Victory Song and Stop Chorus (arr. C. Martin for wind ensemble) by Anonymous, Charles Carter, Florida State University Marching Chiefs, Patrick Dunnigan having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ad Matutinum: Lectio. Itaque convenit | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Dominus vobiscum ... Deus, qui populo tuo | Anonymous, Simon Grant, Paul McCreesh, William Lyons, Gabrieli | G Major | 1 | 9B | 130 BPM | ||
| Salve, Regina | Hermannus Contractus, Liber Cantualis, Randall DeBruyn, Paul F. Ford | F Major | 1 | 7B | 86 BPM | ||
| Salve Regina : Glissade dans la neige | Moines Chartreux | D♭ Major | 3 | 3B | 94 BPM | ||
| Agnus dei: Omnipotens eterne | Anonymous, Anonymous 4 | C Major | 0 | 8B | 112 BPM | ||
| Alleluia: Te Martyrum, Modo V | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | A♭ Minor | 3 | 1A | 83 BPM | ||
| Del Común de una Vírgen, Antífona: Nigra Sum | Pro Musica Gregoriana, Pablo Travaglino | E Major | 1 | 12B | 96 BPM | ||
| Templum Sapientiae Excelsae | Monks of St. Anthony's Greek Orthodox Monastery, Abraham Julius Martyn The Fifth | B♭ Major | 0 | 6B | 72 BPM | ||
| Sancti Spiritus Assit | Schola Gregoriana Del Coro F. Paer, Schola of the Hofburgkapelle, Vienna, The Monks of Pluscarden Abbey | A Minor | 1 | 8A | 71 BPM | ||
| Missa Nunca Fue Pena Major: V. Agnus Dei | Francisco de Peñalosa, Concentus Musicus Minnesota, Arthur Maud | A♭ Minor | 2 | 1A | 74 BPM | ||
| Nova Radost Stala | Choir of St. Cyril and Methodius in Košice | D Major | 2 | 10B | 72 BPM | ||
| Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
| Beatus Franciscus | Jeronimo Aliseda, The Rose Ensemble, Jordan Sramek | G Minor | 2 | 6A | 86 BPM | ||
| Pues Que Tú, Reina del Çielo | Juan del Encina, The Rose Ensemble, Tim O'Brien, Kristine Kautzman, Lisa Drew, Eric Betthauser, Jordan Sramek | G Major | 1 | 9B | 134 BPM | ||
| Christi crux | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
| Palestrina: Missa Papae Marcelli - 5a. Agnus Dei 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 66 BPM | ||
| Christus factus est pro nobis - Gradual (Modo V) - Remasterizado | Anonymous, Coro De Monjes Del Monasterio De Silos, Ismael Fernandez De La Cuesta | B♭ Minor | 9 | 3A | 110 BPM | ||
| Pax in nomine domini! | Marcabru, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 170 BPM | ||
| Lord’s Prayer - N. Rimsky-Korsakov | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | F♯ Major | 0 | 2B | 69 BPM | ||
| Ave Maria - Arcadelt Version | Jacques Arcadelt, Coro Laudate Dominum | A♭ Major | 1 | 4B | 86 BPM | ||
| Victimae paschali laudes | Anonymous, Benedictine Monks' Choir Of Santo Domingo De Silos | A Major | 1 | 11B | 76 BPM | ||
| Ros Mysticus | Cathedral Choir | A Minor | 0 | 8A | 130 BPM | ||
| Antiphona: Alleluia, Alleluia, Modo VIII | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | A Major | 2 | 11B | 72 BPM | ||
| Kyrie XI, A (Modo I) | Unknown, Coro De Monjes Del Monasterio De Silos | D Major | 1 | 10B | 76 BPM | ||
| Sancta et Immaculata Virginitas | Traditional chant, Kloster Maria Engelport | F Major | 2 | 7B | 135 BPM |