- BPM
- 96
- Key
- B Minor
- Camelot
- 10A
Variations & Fugue on a Theme by J.S. Bach, Op. 81: Theme. Andante by Max Reger, Marc-André Hamelin Song Details
"Variations & Fugue on a Theme by J.S. Bach, Op. 81: Theme. Andante" by Max Reger, Marc-André Hamelin had its release date on January 1, 1999. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Variations & Fugue on a Theme by J.S. Bach, Op. 81: Theme. Andante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 46 in the song's album "Reger: Piano Music - Bach Variations, Telemann Variations etc.". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Variations & Fugue on a Theme by J.S. Bach, Op. 81: Theme. Andante is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
With Variations & Fugue on a Theme by J.S. Bach, Op. 81: Theme. Andante by Max Reger, Marc-André Hamelin having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 4%
- Loudness
- -38.963 dB
- Acousticness
- 99%
- Danceability
- 48%
- Energy
- 0%
- Instrumentalness
- 96%
- Liveness
- 8%
- Loudness
- 35%
- Speechiness
- 7%
- Valence
- 16%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Suite of Preludes: No. 4, Teneramente | Kazimierz Serocki, Miyako Arishima | B♭ Minor | 3 | 3A | 110 BPM | |
 | 24 Preludes & Fugues, Op. 87: No. 2a, Prelude in A Minor | Dmitri Shostakovich, Tatiana Nikolayeva | B♭ Major | 1 | 6B | 78 BPM | |
 | Bagatellen: XII | Valentin Silvestrov | G Major | 0 | 9B | 67 BPM | |
 | 6 Pieces, Op. 19: No. 6, Thème original et variations. Var. 10 | Pyotr Ilyich Tchaikovsky, Daniil Trifonov | D Major | 2 | 10B | 102 BPM | |
 | Sensation | Bounce Melody | C Major | 0 | 8B | 63 BPM | |
 | Symphonic Etudes, Op. 13: Thema (1852) | Robert Schumann, Paolo Ceccarini | D♭ Major | 2 | 3B | 143 BPM | |
 | Forgotten Melodies II, Op. 39: IV. Canzona matinata in G Major. Allegretto cantando, ma sempre con moto | Nikolai Medtner, Marc-André Hamelin | F Minor | 1 | 4A | 65 BPM | |
| Tales "Skazki", Op. 8: II. Allegro | Nikolai Medtner, Marc-André Hamelin | F Minor | 2 | 4A | 116 BPM | |
 | 13 Preludes, Op. 32: No. 10 in B Minor - Excerpt | Sergei Rachmaninoff, Nikolai Demidenko | E Minor | 0 | 9A | 77 BPM | |
 | Serenade for String Orchestra in C Major, Op. 48, TH 48 (Arr. for Piano by Peter Breiner): I. Pezzo in forma di sonatina. Andante non troppo - Allegro moderato | Pyotr Ilyich Tchaikovsky, Peter Breiner | D Major | 0 | 10B | 104 BPM | |
 | Kabalevsky: Piano Sonatina No. 1 in C Major, Op. 13: II. Andantino | Dmitry Kabalevsky, Aldo Ciccolini | F Major | 1 | 7B | 73 BPM | |
 | Capriccio in B Minor, H. 349: I. Andante | Fanny Mendelssohn, Claire Huangci | G Major | 0 | 9B | 74 BPM | |
 | Variations on a Theme by Robert Schumann, Op. 9: Var. 16, Adagio | Johannes Brahms, Mari Kodama | F♯ Major | 0 | 2B | 69 BPM | |
 | The Tiny Fish | Bernhard van den Sigtenhorst Meyer, Pauline Oostenrijk | A Major | 1 | 11B | 175 BPM | |
 | 24 Preludes and Fugues Op. 87: No. 13, in F-Sharp Major: Prelude | Dmitri Shostakovich, Yulianna Avdeeva | B Major | 0 | 1B | 65 BPM | |
 | Berceuse, Op. 26 No. 7 - Welte-Mignon 970 | Ludwig Theodor Schytte, Anna Jutta Schytte, Peter Phillips | G Major | 1 | 9B | 71 BPM | |
 | Nocturne - The 2023 Recording | Ivan Yanakov | E♭ Major | 0 | 5B | 173 BPM | |
 | Schwanengesang, S. 560: Ständchen - Edit | Franz Liszt, Leslie Howard | D Minor | 0 | 7A | 106 BPM | |
 | Spanish Romance, Op. 74 - The Smuggler (Arr. For Solo Piano by Carl Tausig) - Duo-Art 7072 | Robert Schumann, Josef Hofmann, Peter Phillips | D Minor | 3 | 7A | 79 BPM | |
 | 4 Preludes for Piano, Op. 61: No. 1, Pensieroso | Ignaz Friedman, Joseph Banowetz | B Major | 0 | 1B | 73 BPM | |
 | No. 2, Choral. Poco più lento | César Franck, Jean-Pierre Armengaud | D♭ Minor | 0 | 12A | 126 BPM | |
 | Ravel: Valses nobles et sentimentales, M. 61: No. 2, Assez lent | Maurice Ravel, Cecile Ousset | E Minor | 1 | 9A | 134 BPM | |
 | Stones | David Tarrodi | E♭ Major | 1 | 5B | 172 BPM | |
| Forgotten Melodies II, Op. 39: V. Sonata tragica in C Minor. Allegro risoluto | Nikolai Medtner, Marc-André Hamelin | E♭ Minor | 0 | 2A | 67 BPM |
- ISRC
- GBAJY9899601
- Label
- L-M Records/RCA Records