NJR All Stars, Herlin Riley, Wess Anderson, Doug Wamble, Milt Grayson, Spike Wilner, Rodney Whitaker, Wycliff Gordon, Victor Goines, Ronald Westray's 'Come Sunday' had a release date set for February 22, 1999. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 8 in the song's album "Tribute to Duke". In this album, this song's track order is #4. Based on our statistics, Come Sunday's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Come Sunday by NJR All Stars, Herlin Riley, Wess Anderson, Doug Wamble, Milt Grayson, Spike Wilner, Rodney Whitaker, Wycliff Gordon, Victor Goines, Ronald Westray having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cerulean Salon | Polaroid Sessions | E♭ Major | 3 | 5B | 73 BPM | ||
| Creole Love Call | The National Jazz Ensemble | B♭ Major | 2 | 6B | 72 BPM | ||
| Ebony Finish | The Pastel Hour | C Major | 3 | 8B | 80 BPM | ||
| Heavy Sigh | Dex Harmon | A Minor | 0 | 8A | 80 BPM | ||
| Rise of the Crescent Moon | Maceo Valiente | E Major | 3 | 12B | 130 BPM | ||
| Smooth Glide | Brendon Long | B♭ Major | 0 | 6B | 127 BPM | ||
| Morning Chair | CoolRoot | F Minor | 2 | 4A | 160 BPM | ||
| The Monarch | Salma Del Sol | B Major | 3 | 1B | 183 BPM | ||
| Silver Lining Waltz | The Half Light Ensemble | B Minor | 3 | 10A | 76 BPM | ||
| Green Lamp | Kenneth James Trio | E♭ Major | 0 | 5B | 133 BPM | ||
| Stiletto Memory | Blue Matchbox | C Minor | 3 | 5A | 68 BPM | ||
| Foyer d’Automne | Polaroid Sessions | G Minor | 3 | 6A | 77 BPM | ||
| Washington Square Park | Jim Pearce | C Minor | 2 | 5A | 68 BPM | ||
| Wetland Engraving | Eli Wash | G Minor | 4 | 6A | 122 BPM | ||
| Half Said Goodbye | Sky Bar Session | C Minor | 4 | 5A | 170 BPM | ||
| Quiet Sip | Murphy Green | D Minor | 0 | 7A | 146 BPM | ||
| Left Behind at Broome Street | Kenneth James Trio | E♭ Major | 0 | 5B | 133 BPM | ||
| This Is Moment | Austyn Ziemann | E Minor | 2 | 9A | 123 BPM | ||
| Tender Stillness | Jazz & Co. | C Major | 0 | 8B | 68 BPM | ||
| Monochrome Reverie | Crying Mirror | E♭ Major | 3 | 5B | 73 BPM | ||
| Soul Food | The Preacher Men, Efraïm Trujillo, Marjorie Barnes, Chris Strik, Rob Mostert | E♭ Major | 0 | 5B | 133 BPM | ||
| Where Desire Overflows | A Jazz Story | E♭ Major | 0 | 5B | 133 BPM | ||
| The Night I Chose Me | Smoke & Sonata | E♭ Major | 0 | 5B | 133 BPM | ||
| And So It Goes | Viktoria Tolstoy, Jacob Karlzon | E♭ Major | 0 | 5B | 133 BPM | ||
| Little Blues | Elsie Bianchi Trio | G Major | 3 | 9B | 125 BPM |