Gulshan Khemani's ' "Diyayan Loli Tokhe" was released on its scheduled release date, July 29, 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Thar Mata Thar". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. Based on our statistics, Diyayan Loli Tokhe's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Diyayan Loli Tokhe by Gulshan Khemani having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| He Ma Sharda | Satish Dehra, Foram Maheta | E♭ Major | 5 | 5B | 185 BPM | ||
| Kalpa Vruksh Bhaktaraksha | Neerja Pandit | D♭ Major | 8 | 3B | 125 BPM | ||
| Jahinte Tuhinji Mehar | Gulshan Khemani | E♭ Minor | 8 | 2A | 87 BPM | ||
| Khuje Firi Je Tomay | Siam Al Mahmud | D Major | 4 | 10B | 132 BPM | ||
| Oi Malatilata Dole | Srabani Sen | F Minor | 3 | 4A | 145 BPM | ||
| Gopal Krishna Radhe Krishna | Ami Joshi | F Minor | 6 | 4A | 127 BPM | ||
| Majhya Saine Chamtkar Kela | Sachidanand Appa | D♭ Major | 5 | 3B | 125 BPM | ||
| Oh Muhinji Maa | Goverdhan Udasi, Gulshan Khemani | G Major | 9 | 9B | 120 BPM | ||
| Jalaram Jalaram Bol(Dhun) | Hemant Chauhan | D Minor | 6 | 7A | 83 BPM | ||
| Yaari Chiniyo Vanjheen Muhnjo | Haider Rind | D Minor | 6 | 7A | 133 BPM | ||
| kshamaa Praarthnaa | Dinesh Kumar Dube | C Major | 6 | 8B | 122 BPM | ||
| Sukhni Sima Re | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 106 BPM | ||
| Shreejibaba Din Dayada | Master Rana | E Major | 5 | 12B | 82 BPM | ||
| Balako Ne Samjo | Devayat Khavad | D♭ Major | 6 | 3B | 140 BPM | ||
| Runu Zhunu Runu Zhunu | Bandubua Golegavkar | B♭ Major | 6 | 6B | 115 BPM | ||
| Aaj Koyal Mithi Kook Kai Aa | Gulshan Khemani, Satram Rohra, Dada Chelaram | E Major | 6 | 12B | 108 BPM | ||
| Bhajan Bina Koyi Na Jage Re | RatiNathji Maharaj | D Minor | 7 | 7A | 101 BPM | ||
| Lal Pahanjo Hindoran | Gulshan Khemani | E Minor | 8 | 9A | 172 BPM | ||
| Man Mohan Murliwala | Surykant Shinde | C Major | 5 | 8B | 107 BPM | ||
| De Maa Amay Tabildari - Original | Ramkumar Chattopadhyay, NA | F♯ Major | 4 | 2B | 140 BPM | ||
| Ranchhod Bavni | Nidhi Dholakia, Asif Jeriya | B♭ Minor | 6 | 3A | 118 BPM | ||
| Utha Jage Vhare Atta | Digambar Kutae, Kashiram Indolikar | D♭ Major | 5 | 3B | 82 BPM | ||
| Thir Ghar Baiso Harjan Pyare - Gurbani Shabad | Bhai Harjinder Singh | A♭ Major | 9 | 4B | 118 BPM | ||
| Aghor Nagara Vage | Mathurbhai Kanjariya | F Major | 8 | 7B | 106 BPM | ||
| Aarti | Gulshan Khemani | F♯ Major | 9 | 2B | 107 BPM |