Kumar Vishu's ' "Baglamukhi Chalisa" was released on its scheduled release date, June 27, 2024. This song appears to be safe for all ages as it is not explicit. Because this song is the only song in Baglamukhi Chalisa and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Baglamukhi Chalisa is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Baglamukhi Chalisa by Kumar Vishu is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nazro Ko Deedar Tumara Na Hua | Vinod Agarwal Ji | F Minor | 5 | 4A | 109 BPM | ||
| Siddh Jogiya Sunehari Jattaan Waliya | Karnail Rana | A Major | 8 | 11B | 172 BPM | ||
| Sewa Pooja Bandgi | Ravinder Jain, Rajendra Jain | B♭ Major | 6 | 6B | 86 BPM | ||
| Ghati Chadhin Hun Hari O Chanda | Vaishali Sen, Motha Kharte | G Major | 6 | 9B | 117 BPM | ||
| Shyam Teri Tirchi Najariya | Pujya Shri Indresh Ji Maharaj | Indresh Ji Maharaj Bhajan | Pujya Shri Indresh Ji Maharaj | A Minor | 5 | 8A | 146 BPM | ||
| Ramayan Choupaiyan-Payoji Maine Ram Ratan Dhan Payo (From "T-Series Mixtape Bhakti") | Kumar Vishu, Swati Mishra, Raaj Aashoo | E♭ Major | 7 | 5B | 93 BPM | ||
| Darbar Me Shirdi Wale Ki Dukh Dard Mitaye Jate Hai | Paras Jain | F♯ Minor | 9 | 11A | 109 BPM | ||
| Mere Banke Bihari Ke Naina | Devi Chitralekhaji | D♭ Major | 9 | 3B | 150 BPM | ||
| Akhanad Roji Hai Na Hath Ma | NARAYANSWAMI | F Major | 2 | 7B | 141 BPM | ||
| Baaki Tu Jaane | Sandeep Bansal | D♭ Major | 8 | 3B | 82 BPM | ||
| Bala Ji Bhakto Ko Pyara Hai | Ramkumar Lakha, Kumar Vishu, Rakesh Kala, Narender Kaushik | F♯ Minor | 5 | 11A | 95 BPM | ||
| Namo Sidhkchetram | Rajendra Jain | G Major | 6 | 9B | 81 BPM | ||
| Sakhi Ri Mohe Laaj Bairan Bhayi | Susmita Das | C Major | 6 | 8B | 148 BPM | ||
| Ganpati Vandana | Manish Tiwari | G Major | 7 | 9B | 84 BPM | ||
| Tu To Phasi Kaal Ke Jaal | Radha Swami Satsang Dinod | D♭ Major | 3 | 3B | 149 BPM | ||
| Shyam Teri Bansari Bajne Lagee | Shridhay Shri Mridul krishna shastri ji maharaj | F Major | 7 | 7B | 155 BPM | ||
| Om Jai Lakshmi Mata | Kumar Vishu | B♭ Minor | 7 | 3A | 96 BPM | ||
| Maihar Wali Sharda Maiya | Kavita Paudwal | D♭ Major | 4 | 3B | 168 BPM | ||
| Ramcharitmanas Chaupai | Prem Prakash Dubey | A Minor | 7 | 8A | 100 BPM | ||
| Jo Baba Ko Puje Uska Ho Beda Paar | Rakesh Kumar Sharma | D Major | 6 | 10B | 84 BPM | ||
| Maa Kamakhya Chalisa (Kamakhya Ka Vimal Yash) | Madhusmita | E♭ Major | 7 | 5B | 91 BPM | ||
| Pyar Ke Mod Par | Poonam Gondaliya | F♯ Major | 7 | 2B | 138 BPM | ||
| Tera Diwla Jagmag Hoi | Gyanendra Sharma | A♭ Major | 7 | 4B | 137 BPM | ||
| Ek Bar Jo Raghuvar Ki Najaro Ka Ishara Ho Jaye | Subham Kumar | E♭ Minor | 9 | 2A | 140 BPM | ||
| Kisi Uanki Manjil Ka Pata | Poonam Gondaliya | F♯ Major | 7 | 2B | 138 BPM |