Harry Connick, Jr.'s 'The Other Hours' had a release date set for January 1, 2003. This song is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Other Hours". In this album, this song's track order is #11. Based on our statistics, The Other Hours's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Other Hours by Harry Connick, Jr. having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Teach Me Tonight | Erin Boheme | G Major | 2 | 9B | 75 BPM | ||
| Regular Joe | Indigo Swing | B♭ Minor | 4 | 3A | 135 BPM | ||
| You'd Be So Nice To Come Home To | Helen Merrill | C Major | 1 | 8B | 130 BPM | ||
| Love Is Here to Stay | Harry Connick, Jr. | C Minor | 2 | 5A | 102 BPM | ||
| Cheek to Cheek | Steve Tyrell | C Major | 4 | 8B | 150 BPM | ||
| Blue Skies | Frank Sinatra, Tommy Dorsey Orchestra | A Minor | 3 | 8A | 128 BPM | ||
| Last Call Lullaby | WENDO KEN | D Major | 3 | 10B | 105 BPM | ||
| I Want It All (feat. Alex Macdougall) | Rob Parton Orchestra, Alex MacDougall | E♭ Major | 4 | 5B | 131 BPM | ||
| Cheek to Cheek | Nicole Henry | F Major | 6 | 7B | 183 BPM | ||
| The Best Is Yet To Come | Peter Grant | D♭ Major | 4 | 3B | 120 BPM | ||
| Takach: ’Twas in the Moon of Wintertime | Timothy C. Takach, Ames Chamber Artists | G Major | 1 | 9B | 91 BPM | ||
| This Guy's In Love | Peter Grant | B♭ Major | 3 | 6B | 178 BPM | ||
| Sand In My Shoes | Carol Welsman | F Minor | 5 | 4A | 89 BPM | ||
| I've Drawn Your Face | Rachael & Vilray | E♭ Major | 2 | 5B | 81 BPM | ||
| Midnight Jazz | Crimson Beats | F Major | 1 | 7B | 80 BPM | ||
| Where or When | Harry Connick, Jr. | B♭ Minor | 0 | 3A | 101 BPM | ||
| Can't get enough - Demo mix | Burling Street Jazz and Swing, Mark Kubicki, Ed Peffer Saxophone | B♭ Major | 2 | 6B | 128 BPM | ||
| Do Nothing 'Til You Hear From Me | Molly Johnson | B♭ Major | 2 | 6B | 65 BPM | ||
| Come Back to Me | Cherry Poppin' Daddies | F Minor | 4 | 4A | 82 BPM | ||
| Moonglow | Artie Shaw | B♭ Major | 1 | 6B | 106 BPM | ||
| On The Street Where You Live | Matt Dusk | G Minor | 3 | 6A | 126 BPM | ||
| Hello Young Lovers | Kevin Spacey | D Major | 6 | 10B | 75 BPM | ||
| Santa, Won't You Listen to Me | Kyle Cox | F Minor | 4 | 4A | 122 BPM | ||
| I'm in a Mess (feat. Samara Joy) | Pasquale Grasso, Samara Joy | A♭ Major | 3 | 4B | 117 BPM | ||
| Sing, Sing, Sing (With A Swing) | Anita O'Day, Russ Garcia and His Orchestra | E Minor | 4 | 9A | 95 BPM |