Dmitri Hvorostovsky's 'Хочу быть твоею музыкой' had a release date set for 2009. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in Дежавю Pt.2, so we believe that "Хочу быть твоею музыкой" is a single. Хочу быть твоею музыкой is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Хочу быть твоею музыкой by Dmitri Hvorostovsky is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vittoria, mio core! (Arr. Reynolds) | Giacomo Carissimi, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | F♯ Major | 1 | 2B | 109 BPM | ||
| Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | ||
| Raksin / Arr. Schifrin: Around the World: Those Were the Days (Live) | Eugene Raskin, The Three Tenors, Los Angeles Music Center Opera Chorus, Zubin Mehta, Los Angeles Philharmonic | C Minor | 3 | 5A | 80 BPM | ||
| Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
| Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
| Songs and Dances of Death: No. 1, Lullaby | Modest Mussorgsky, Dmitri Hvorostovsky, Mariinsky Orchestra, Valery Gergiev | A Major | 0 | 11B | 129 BPM | ||
| Blessed Is the Man | Pavel Chesnokov, Dmitri Hvorostovsky, Masters of Choral Singing, Lev Kontorovich | B Minor | 2 | 10A | 163 BPM | ||
| Eugene Onegin, Op. 24, TH.5 / Act 1: "Slikhali l vi za roschei glas nochnoi" | Pyotr Ilyich Tchaikovsky, Nuccia Focile, Sarah Walker, Olga Borodina, Irina Arkhipova, Orchestre de Paris, Semyon Bychkov | A Major | 1 | 11B | 133 BPM | ||
| Mandoline, L. 29 | Dilyana Georgieva, Galina Apostolova | A♭ Major | 0 | 4B | 92 BPM | ||
| Les pêcheurs de perles, WD 13 / Act I: "C'était le soir" ... "Au fond du temple saint" | Georges Bizet, Rolando Villazón, Ildar Abdrazakov, Orchestre Métropolitain, Yannick Nézet-Séguin | E Major | 0 | 12B | 79 BPM | ||
| Tito Manlio, RV 778: Orribile lo scempio (Arr. Papp) | Antonio Vivaldi, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 138 BPM | ||
| O del mio amato ben - Voice | Stefano Donaudy, Carlo Bergonzi, John Wustman | A Major | 1 | 11B | 60 BPM | ||
| Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D Major | 2 | 10B | 85 BPM | ||
| Where Are You, My Brothers ? | V. Soloviev-Sedoi, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra | E Major | 4 | 12B | 139 BPM | ||
| Die Fledermaus / Act 2: "Mein Herr Marquis" | Johann Strauss II, Edita Gruberova, Wiener Staatsopernchor, Wiener Philharmoniker, André Previn | G Major | 2 | 9B | 173 BPM | ||
| Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | F♯ Minor | 4 | 11A | 86 BPM | ||
| Faust, CG 4, Faust, Act I: Avant de quitter ces lieux | Charles Gounod, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Minor | 1 | 6A | 93 BPM | ||
| Cossacks in Berlin | D. Pokrass, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra | A Minor | 1 | 8A | 75 BPM | ||
| Core 'ngrato | Mario del Monaco | D Major | 2 | 10B | 85 BPM | ||
| Saint-Saëns: Samson et Dalila, Op. 47, Act 2: "Mon cœur s'ouvre à ta voix" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | D♭ Major | 1 | 3B | 77 BPM | ||
| Lehár: Die lustige Witwe, Act 2: Vilja-Lied. "Es lebt' eine Vilja, ein Waldmägdelein" (Hanna) | Franz Lehár, Karita Mattila, Yutaka Sado, London Philharmonic Orchestra | G Major | 1 | 9B | 176 BPM | ||
| L'elisir d'amore: Una furtiva lagrima | Gaetano Donizetti, Lawrence Brownlee, Kaunas City Symphony Orchestra, Constantine Orbelian | B♭ Minor | 1 | 3A | 68 BPM | ||
| The Sacred Stone | M. Matusovsky, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra | A Major | 2 | 11B | 41 BPM | ||
| Bizet: Les pêcheurs de perles, WD 13, Act 1: "Je crois entendre encore" (Nadir) | Georges Bizet, Pierre Dervaux, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | A Minor | 1 | 8A | 88 BPM | ||
| Sadko / Tableau IV: Gorat kamennyj, garadam fsem mat' | Nikolai Rimsky-Korsakov, Dmitri Hvorostovsky, Valery Gergiev, Mariinsky Orchestra | G Major | 2 | 9B | 75 BPM |