Gerald Alston's ' "Getting Back Into Love" was released on its scheduled release date, January 1, 1990. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Open Invitation". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Getting Back Into Love's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Getting Back Into Love by Gerald Alston having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lonely Road | Rose Royce | A Minor | 4 | 8A | 165 BPM | ||
| Did I Dream You | Tawatha Agee | C Major | 5 | 8B | 148 BPM | ||
| Will You Be Mine | Anita Baker | A Minor | 4 | 8A | 89 BPM | ||
| Treat Her Right | James Ingram | A Minor | 5 | 8A | 160 BPM | ||
| Calling Out Your Name | For Lovers Only | A Minor | 5 | 8A | 132 BPM | ||
| I Can't Tell You Why | Gerald Alston | B♭ Major | 5 | 6B | 120 BPM | ||
| Sleeping Alone | The Controllers | B♭ Major | 7 | 6B | 134 BPM | ||
| Maria | O'Bryan | E♭ Major | 4 | 5B | 123 BPM | ||
| Smilin' | Levert | A Major | 4 | 11B | 82 BPM | ||
| Bullseye | Lakeside | D Major | 5 | 10B | 131 BPM | ||
| What About You | The Manhattans, Gerald Alston | A Major | 5 | 11B | 73 BPM | ||
| Holding On | Lillo Thomas | C Major | 4 | 8B | 97 BPM | ||
| (You're My) Shining Star | Curtis Hairston | E♭ Major | 5 | 5B | 86 BPM | ||
| Baby, I'm for Real | Sherrick | B♭ Major | 4 | 6B | 82 BPM | ||
| Just Another Lonely Night | Johnny Gill | E Major | 5 | 12B | 80 BPM | ||
| Just the Way You Want Me To | Miki Howard | E♭ Minor | 3 | 2A | 123 BPM | ||
| Can't Wait to Get You Home | Eric Gable | F Major | 2 | 7B | 204 BPM | ||
| Say Yes | Lakeside | G Minor | 5 | 6A | 104 BPM | ||
| Whatever | Gary Taylor | F Minor | 4 | 4A | 94 BPM | ||
| Heart Of Gold | Bert Robinson | D♭ Major | 8 | 3B | 169 BPM | ||
| Not On The Outside | Alyson Williams | D♭ Major | 4 | 3B | 75 BPM | ||
| Someday | Chris Walker | G Minor | 3 | 6A | 119 BPM | ||
| You Make Me Want To (Love Again) | Vesta Williams | A♭ Major | 6 | 4B | 87 BPM | ||
| I'll Be Right Here Waiting On You | Gene Rice | B♭ Minor | 6 | 3A | 152 BPM | ||
| Thank You For The Moment | David Peaston | F♯ Major | 3 | 2B | 127 BPM |