"How to Be Invisible" by Thrupence had its release date on May 3, 2019. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Piano Works". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Turks and Caicos Islands. In terms of popularity, How to Be Invisible is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With How to Be Invisible by Thrupence having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sea Of Tranquility | Julius Aston | F Major | 0 | 7B | 71 BPM | ||
| Intro | Laurence Guy | D Minor | 3 | 7A | 89 BPM | ||
| Torn Apart | Infinity Ripple | A♭ Major | 0 | 4B | 90 BPM | ||
| Dec 9 | Izzard | B Major | 0 | 1B | 61 BPM | ||
| On Matters of the Heart | The Westerlies, Conrad Tao | A Minor | 1 | 8A | 90 BPM | ||
| Last Days | Yasushi Yoshida | B Minor | 1 | 10A | 79 BPM | ||
| Sway | Arrangement | B Major | 3 | 1B | 123 BPM | ||
| Blue Sky | Laxcity | A Major | 1 | 11B | 70 BPM | ||
| Diamonds | Catching Flies | D Major | 4 | 10B | 100 BPM | ||
| C U Soon | h hunt | F♯ Major | 0 | 2B | 79 BPM | ||
| Dormiveglia | Benjamin Gustafsson | D♭ Major | 0 | 3B | 67 BPM | ||
| A Brief Walk in the Sea | Near The Parenthesis | A Major | 2 | 11B | 138 BPM | ||
| Continuum I | Jane Antonia Cornish, Decoda | F♯ Minor | 1 | 11A | 90 BPM | ||
| Tomato Day | Kelpe | D Minor | 0 | 7A | 71 BPM | ||
| We Played Some Open Chords and Rejoiced, for the Earth had Circled the Sun Yet Another Year | A Winged Victory for the Sullen, Adam Wiltzie, Dustin O'Halloran | B♭ Major | 0 | 6B | 85 BPM | ||
| Terra | Clem Leek | F Major | 2 | 7B | 142 BPM | ||
| Reef | Antonymes | D Major | 1 | 10B | 75 BPM | ||
| Still Blue | Olivia Belli, Enrico Belli | F Major | 2 | 7B | 145 BPM | ||
| Silver Water Ripples | The Gentleman Losers | C Minor | 2 | 5A | 112 BPM | ||
| Talisman | Nils Frahm | F Minor | 0 | 4A | 59 BPM | ||
| The Sea | Joey Pecoraro | C Major | 1 | 8B | 93 BPM | ||
| Future Waves | Uther Moads | D♭ Minor | 0 | 12A | 110 BPM | ||
| Daybreak | Albrecht La'Brooy, Oliver Paterson | E Major | 1 | 12B | 96 BPM | ||
| Wintergreen | Jon Hopkins | B♭ Major | 2 | 6B | 92 BPM | ||
| Sunrise Terracotta | To Life | A Minor | 5 | 8A | 160 BPM |