The Ex, Tom Cora, Marion Coutts's 'The Flute's Tale' had a release date set for January 1, 1991. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Scrabbling At The Lock". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, The Flute's Tale's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Flute's Tale by The Ex, Tom Cora, Marion Coutts having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Coulda Been | Jon Spencer | F♯ Minor | 9 | 11A | 122 BPM | ||
| Lip Up, Stump | The Ex, Michael Vatcher, Wolter Wierbos | G Major | 5 | 9B | 133 BPM | ||
| The Body as a Structure | DITZ | D♭ Major | 6 | 3B | 168 BPM | ||
| Weight of the Sun | Shannon Wright | C Minor | 7 | 5A | 127 BPM | ||
| Enough Is Enough | The Ex | A Major | 9 | 11B | 116 BPM | ||
| Personal Responsibilities | Snapped Ankles | B♭ Minor | 9 | 3A | 106 BPM | ||
| Thank You My Pain | Alabaster DePlume | E Minor | 5 | 9A | 90 BPM | ||
| Beton | Grote Geelstaart | G Major | 7 | 9B | 171 BPM | ||
| Karremans' Last Measure | The Ex, Wolter Wierbos, Michael Vatcher | A Minor | 10 | 8A | 114 BPM | ||
| Marilyn Moore - Live | Sonic Youth | E Major | 8 | 12B | 142 BPM | ||
| Reversed | Damon Locks | C Major | 6 | 8B | 154 BPM | ||
| Cha Cha Cha 2000 | Prolapse | D Major | 4 | 10B | 98 BPM | ||
| Highway Man | The New Eves | E Major | 7 | 12B | 77 BPM | ||
| Apocalyptic Boom Boom | Des Demonas | B Minor | 9 | 10A | 129 BPM | ||
| Nur...Schmerz | The Bullfight | G Major | 7 | 9B | 93 BPM | ||
| The Archivist | Fat White Family | D Major | 5 | 10B | 90 BPM | ||
| D'Artagnan | paper hats (UK) | E Minor | 10 | 9A | 80 BPM | ||
| In Hollywood | The Besnard Lakes | E Major | 8 | 12B | 81 BPM | ||
| I'm Alive | The Sick Man Of Europe | G Major | 4 | 9B | 120 BPM | ||
| So Lonely In Heaven | The Legendary Pink Dots | F Minor | 8 | 4A | 110 BPM | ||
| Suppressa | Dog Faced Hermans | B Minor | 7 | 10A | 136 BPM | ||
| Waves of Fear | Pissed Jeans | D Major | 9 | 10B | 117 BPM | ||
| denial | MAQUINA. | A Minor | 8 | 8A | 114 BPM | ||
| The 16 Days | Ed Kuepper, Jim White | G Major | 4 | 9B | 107 BPM | ||
| Chasing the Blue | ELLiS·D | B♭ Minor | 9 | 3A | 177 BPM |