John Powell's 'Kramer V. Kramer' had a release date set for January 1, 2001. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Kramer V. Kramer's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Powell's "I Am Sam (Original Motion Picture Score)" album is number 13 out of 19. On top of that, United States appears to be the country where this track was created. The popularity of Kramer V. Kramer is currently below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Kramer V. Kramer by John Powell to be Vivace (lively and fast) because the track has a tempo of 168 BPM, a half-time of 84BPM, and a double-time of 336 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Runaway Jury | Christopher Young | F Minor | 1 | 4A | 68 BPM | ||
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| MISSING: Main Theme | San Fernando Symphonic Assembly | D♭ Major | 0 | 3B | 71 BPM | ||
| The Bourne Identity Original Opening | John Powell | G Minor | 9 | 6A | 128 BPM | ||
| Kind | Valhalla Orquestra, Bill Mac Rooyen | A♭ Major | 1 | 4B | 126 BPM | ||
| Sometimes People Just Die | George Fenton | D♭ Minor | 2 | 12A | 148 BPM | ||
| Take Away | John Powell | A Major | 0 | 11B | 170 BPM | ||
| Memories of Harry | Henry Jackman, Matthew Margeson | G Major | 1 | 9B | 81 BPM | ||
| Memories From The Rose Yard | Paolo Vivaldi | G Major | 2 | 9B | 76 BPM | ||
| Christmas Together | Dario Marianelli | C Major | 1 | 8B | 120 BPM | ||
| Madrid, 1922 | Cesar Benito | C Major | 3 | 8B | 139 BPM | ||
| Freddie's World | Jeff Beal | A Major | 2 | 11B | 148 BPM | ||
| Horse Power Main Theme | Barnaby Taylor | G Major | 2 | 9B | 76 BPM | ||
| Angelica´s Love | Roque Baños | C Major | 0 | 8B | 78 BPM | ||
| The Train Station | Marcelo Zarvos | E♭ Major | 0 | 5B | 56 BPM | ||
| Suite from Forrest Gump | Alan Silvestri | F Major | 1 | 7B | 85 BPM | ||
| P of 200 | Coby Brown | A Major | 1 | 11B | 136 BPM | ||
| Forward March | Jeff Beal | C Major | 3 | 8B | 117 BPM | ||
| Invictus Theme | Kyle Eastwood, Michael Stevens | A♭ Minor | 1 | 1A | 92 BPM | ||
| Conmigo serás libre | Alejandro Amenábar | G Minor | 2 | 6A | 146 BPM | ||
| All In | Christopher Young | F♯ Major | 0 | 2B | 48 BPM | ||
| Stoic World | Stoic Music | E Minor | 1 | 9A | 65 BPM | ||
| Manuelas Love Theme | Paolo Vivaldi | D Major | 2 | 10B | 106 BPM | ||
| My Wish | Christophe Beck | F Major | 1 | 7B | 62 BPM | ||
| The Aftermath | W.G. Snuffy Walden | G Minor | 1 | 6A | 63 BPM |