"The Morning After" by Rhys Wells had its release date on January 19, 2024. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since The Morning After only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Sweden. The Morning After is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Morning After by Rhys Wells having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Only for You | Joe M. Key | G Minor | 0 | 6A | 50 BPM | ||
| Chicago Skyline | Ron Bladworth | A♭ Major | 0 | 4B | 69 BPM | ||
| Juniper Leaves | Carl Clementine | D♭ Major | 0 | 3B | 74 BPM | ||
| September Song | George Alec | B♭ Major | 0 | 6B | 133 BPM | ||
| Rightfully So | Lyn Ardbeg | F Major | 0 | 7B | 70 BPM | ||
| Says Nothing | Gottfried Barber | C Minor | 0 | 5A | 71 BPM | ||
| Gentle Raindrops | Alls Sounds | C Major | 0 | 8B | 129 BPM | ||
| On the Road Again | Myles Dale | C Major | 0 | 8B | 66 BPM | ||
| In the middle of the night | Art Beckett | C Minor | 0 | 5A | 62 BPM | ||
| From Now on | Natalie Meir | G Minor | 0 | 6A | 75 BPM | ||
| Mellow Moments | Tina Wellbeck | E Major | 0 | 12B | 116 BPM | ||
| Embraceable You | Tim Walker-Price | A Major | 7 | 11B | 92 BPM | ||
| Spring is Coming | Danny Walgreen | E♭ Major | 1 | 5B | 85 BPM | ||
| Sleep Warm | M. Birkeland | D Major | 0 | 10B | 171 BPM | ||
| There Is No Greater Love | A Whisper | G Minor | 0 | 6A | 134 BPM | ||
| Imagination | Grace Carey | F Minor | 8 | 4A | 108 BPM | ||
| Cityscape | Harry Reed | D Minor | 0 | 7A | 97 BPM | ||
| It's Probably True | Kim Lawrence | C Minor | 0 | 5A | 71 BPM | ||
| Closer and Closer | Graydon Poole | E♭ Major | 0 | 5B | 71 BPM | ||
| Streets of Paris | Timothy Reisen | G Minor | 0 | 6A | 95 BPM | ||
| Ballad For Hilda | Isac Solo | F Major | 0 | 7B | 94 BPM | ||
| One Night | George Gower | A♭ Major | 1 | 4B | 136 BPM | ||
| Over the Bridge | Rhys Wells | G Major | 0 | 9B | 135 BPM | ||
| What do I forget? | Marilyn Morris | D Minor | 0 | 7A | 108 BPM | ||
| Yesterdays | Camille Blanche | D Minor | 1 | 7A | 111 BPM |