On September 16, 1999, the song "Saato Bahiniya Hey" was released by Anuradha Krishan Rastogi, Ranjana Mishra, Priyanka Mishra. This song is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Nimiya Ki Daari Maiya". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. Based on our statistics, Saato Bahiniya Hey's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Saato Bahiniya Hey by Anuradha Krishan Rastogi, Ranjana Mishra, Priyanka Mishra having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| To Aagare Kichhi Dhoopa | Sonu Nigam | F Minor | 6 | 4A | 142 BPM | ||
| Sainya Mor Gavanva | Gopal Rai | A♭ Minor | 4 | 1A | 157 BPM | ||
| Valmeki Kartar Sab da Daata | Veer Sandeep Kular, Bhai Harbans Singh | E Minor | 8 | 9A | 90 BPM | ||
| Hari Ka Dhyan Laga Man Mere | Mohammed Rafi | A Minor | 6 | 8A | 124 BPM | ||
| Jio Jio Nama | Bhai Mehtab Singh | D♭ Major | 8 | 3B | 99 BPM | ||
| Ganga Tera Paani | Lakhbir Singh Lakkha | E♭ Major | 5 | 5B | 99 BPM | ||
| Krish Ka Gana Sunega | Ritesh Pandey | A♭ Minor | 6 | 1A | 140 BPM | ||
| Hirva Avdoot Zenda Re | Mahesh Hiremath, Shubhangi Joshi | F♯ Minor | 6 | 11A | 96 BPM | ||
| Chahani Chakhi Kia Phualara | Santanu Sahoo, Bali | G Minor | 9 | 6A | 157 BPM | ||
| Jab Jab Bhagtan Per | Anuradha Krishan Rastogi, Krishna Kant Tiwari, Ravindra Singh | C Minor | 10 | 5A | 117 BPM | ||
| Ami Bhareli | Shree Swaminarayan Mandir Kalupur | F♯ Major | 9 | 2B | 98 BPM | ||
| Jambo Ya Dipamajhi | Digambar Kutae, Kashiram Indolikar | A♭ Minor | 4 | 1A | 157 BPM | ||
| Kaise Mann Ke Kahav Re Sangi Baat | Ghanshyam Mahanand, Alka Chandrakar | F♯ Major | 7 | 2B | 98 BPM | ||
| Karaar Pa Na Sake Hum To | Attaullah Khan | D♭ Major | 6 | 3B | 105 BPM | ||
| Dol Dolatay Varyav | Shrikant Narayan, Veena Bamne | F♯ Major | 7 | 2B | 82 BPM | ||
| Himasaila | Devi | B Major | 5 | 1B | 91 BPM | ||
| Sankar Teri Zatame Baheti Hai | Niranjan Pandya | F Major | 7 | 7B | 108 BPM | ||
| Ka Ga Udate Davi Papani | Balu Shinde | A♭ Minor | 6 | 1A | 123 BPM | ||
| Keejo Kesari Ke Laal | Lakhbir Singh Lakkha | B Major | 5 | 1B | 103 BPM | ||
| Jai Jagdambe Jai | Narendra Chanchal | D♭ Major | 7 | 3B | 132 BPM | ||
| Bahi Bana Diye | Mamta Chandarkar | F Major | 7 | 7B | 150 BPM | ||
| Chullu Jagadi Bagat | Narendra Singh Negi, Anuradha Nirala | F♯ Major | 3 | 2B | 89 BPM | ||
| Main Deewana Sai Tera | Lakhbir Singh Lakkha | B Major | 7 | 1B | 111 BPM | ||
| Dheere Dheere Dagariya - Jhoomar | Sharda Sinha | B♭ Minor | 6 | 3A | 159 BPM | ||
| Muhnjon Galhiyon Sarenday | Fozia Soomro | B♭ Minor | 6 | 3A | 112 BPM |