"Mi Amor" by Daniel Pemberton had its release date on December 17, 2018. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Spider-Man: Into the Spider-Verse (Original Score)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Mi Amor is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mi Amor by Daniel Pemberton having a BPM of 0 with a half-time of 0 BPM and a double-time of 0 BPM, we would consider this track to have a Larghissimo tempo marking. Because of this, we believe that the song has an overall slow tempo.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| This Is Where You Leave Me | Max Aruj, Alfie Godfrey | A Minor | 0 | 8A | 139 BPM | ||
| Hand Covers Bruise | Trent Reznor and Atticus Ross | D Major | 2 | 10B | 115 BPM | ||
| I Used to Be a Brother | Richard Reed Parry, Pietro Amato | E Minor | 0 | 9A | 102 BPM | ||
| Vesper (From "Casino Royale" Soundtrack) | David Arnold | A Minor | 1 | 8A | 64 BPM | ||
| All Quiet On The Western Front | Volker Bertelmann | G Minor | 2 | 6A | 85 BPM | ||
| Soft Center | Rob Simonsen | D Major | 0 | 10B | 64 BPM | ||
| Forbidden Friendship [2m14] | John Powell | F♯ Major | 3 | 2B | 129 BPM | ||
| Chasing Daylight | Scott Buckley | E♭ Minor | 3 | 2A | 160 BPM | ||
| Cloudless Skies | Rob Simonsen | F Minor | 3 | 4A | 90 BPM | ||
| Grandes Sueños | Fernando Velázquez | E♭ Major | 0 | 5B | 137 BPM | ||
| The Revenant Main Theme | Ryuichi Sakamoto | A Major | 2 | 11B | 73 BPM | ||
| Feast of Starlight | Howard Shore | D Major | 0 | 10B | 135 BPM | ||
| What I Really Wanted | Clinton Shorter | G Major | 1 | 9B | 117 BPM | ||
| Belief | West Dylan Thordson | B♭ Major | 3 | 6B | 66 BPM | ||
| The Places You Take Me To | Daniel Pemberton | C Major | 1 | 8B | 86 BPM | ||
| Sacrifice | Steve Jablonsky | D Minor | 1 | 7A | 89 BPM | ||
| The Origin of Belief | Francesco Le Metre | C Major | 0 | 8B | 112 BPM | ||
| Kal-El | Tommy Lucas | D Minor | 2 | 7A | 73 BPM | ||
| Different Kinds Of Cry | Alexis Grapsas | B♭ Major | 0 | 6B | 84 BPM | ||
| The Whale | Mychael Danna | F Minor | 0 | 4A | 136 BPM | ||
| A Quick Getaway | Stephen Rennicks | A Minor | 1 | 8A | 160 BPM | ||
| Goodbye Brother | Ramin Djawadi | E♭ Major | 0 | 5B | 127 BPM | ||
| Where Does That Leave Me? | Rupert Gregson-Williams | D Minor | 1 | 7A | 136 BPM | ||
| Spider-Man Loves You | Daniel Pemberton | E Minor | 9 | 9A | 120 BPM | ||
| A Lifetime Ago | Locked, Felix Manzi | D Major | 0 | 10B | 105 BPM |