"Nobody Knows the Trouble I've Seen" by Traditional, Jason Max Ferdinand Singers, Jason Max Ferdinand had its release date on November 19, 2021. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Solace". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Nobody Knows the Trouble I've Seen's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nobody Knows the Trouble I've Seen by Traditional, Jason Max Ferdinand Singers, Jason Max Ferdinand having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O nata lux de lumine | Thomas Tallis, Alamire, David Skinner | G Minor | 2 | 6A | 76 BPM | ||
| Choirs of Eternity | LeoRoads | B Minor | 2 | 10A | 80 BPM | ||
| Shen khar venakhi - Kartli-Kakhetia | Traditional, The Rustavi Choir | A♭ Major | 0 | 4B | 75 BPM | ||
| Vox Angelica | Nova Schola Gregoriana, St. Peter St. Paul Cathedral Choir of Minsk, Institute of Christ the King Sovereign Priest, Elaria | B♭ Minor | 1 | 3A | 142 BPM | ||
| Missa Gaudeamus: I. Gaudeamus | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire | G Major | 0 | 9B | 64 BPM | ||
| Ecce Agnus Dei | Choeur des moines de l'abbaye Notre Dame de Fontgombault, The Schola Cantorum of St. Peter's in the Loop, Lege Artis Chamber Choir, Father Michaels | E♭ Major | 2 | 5B | 67 BPM | ||
| Clair de Lune, from Harp Portrait Classics | Tobias Southcott | D♭ Major | 1 | 3B | 110 BPM | ||
| Alta trinità beata (Italien, 15. Jahrhundert) | Collegium Vocale Hirschaid | F Major | 1 | 7B | 64 BPM | ||
| MISA IN TE DOMINE SPERAVI: Kyrie | Francisco Guerrero, A5 Vocal Ensemble | D Minor | 2 | 7A | 72 BPM | ||
| In the Lord Is My Joy | Margaret Rizza, Kevin Mayhew Ltd | C Minor | 2 | 5A | 124 BPM | ||
| Sing we and chaunt it | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | G Major | 1 | 9B | 74 BPM | ||
| Ave Maria | Schubert, Nil, Paul Hart & Elizabeth Le Grove | B♭ Major | 0 | 6B | 72 BPM | ||
| Maria durch ein Dornwald ging (Arr. P. Lawson) | Traditional, Papagena | F Major | 1 | 7B | 170 BPM | ||
| Dehn Er Hat Seinen | The American Boychoir | A♭ Major | 3 | 4B | 81 BPM | ||
| Twinkle, Twinkle, Little Star | Daniel Elder, Westminster Choir, Joe Miller | D Major | 0 | 10B | 81 BPM | ||
| The Mass: Agnus Dei | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
| Ps 104 | NWU PUK-CHOIR | F♯ Major | 2 | 2B | 118 BPM | ||
| Gloria in Excelsis | Eikona, Choirs Of Annunciation Byzantine Catholic Church, Monastery Choir of St. John of San Francisco, Isauria | A♭ Minor | 2 | 1A | 102 BPM | ||
| Alleluia-Tropus | Kammerkoor Head Ööd Vend | A Minor | 1 | 8A | 176 BPM | ||
| Drop, Drop, Slow Tears a 4 | Orlando Gibbons, Gabrieli, Paul McCreesh | E Major | 0 | 12B | 72 BPM | ||
| Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM | ||
| Drømte mig en drøm i nat | DR PigeKoret, Charlotte Rowan | G Minor | 2 | 6A | 74 BPM | ||
| Even When He is Silent | Kim André Arnesen, Tove Ramlo-Ystad, Cantus | C Major | 0 | 8B | 97 BPM | ||
| Within Our Darkest Night | The Songs of Taize Session Singers | E Minor | 1 | 9A | 128 BPM | ||
| Vidi Aquam | Cantores in Ecclesia | G Minor | 1 | 6A | 77 BPM |