Rodríguez's ' "Only Good For Conversation" was released on its scheduled release date, 1998. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rodríguez's "Live Fact" album is number 2 out of 17. On top of that, South Africa appears to be the country where this track was created. Based on our statistics, Only Good For Conversation's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Only Good For Conversation by Rodríguez to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Everybody's Talkin' | Fred Neil | D Major | 3 | 10B | 120 BPM | ||
| Can't Get Away | Rodríguez | D Minor | 6 | 7A | 135 BPM | ||
| Something on Your Mind | Karen Dalton | B♭ Major | 3 | 6B | 118 BPM | ||
| Once I Was | Tim Buckley | D♭ Major | 4 | 3B | 121 BPM | ||
| Strawberry Letter 23 | Shuggie Otis | A Minor | 5 | 8A | 171 BPM | ||
| A Well Respected Man | The Kinks | A Minor | 8 | 8A | 162 BPM | ||
| The First Cut Is The Deepest | Yusuf / Cat Stevens | D Major | 4 | 10B | 78 BPM | ||
| Demon Host | Timber Timbre | F Major | 2 | 7B | 76 BPM | ||
| Climb Up On My Music | Rodríguez | D Minor | 8 | 7A | 117 BPM | ||
| Take It | Donnie & Joe Emerson, Eldon | G Major | 3 | 9B | 131 BPM | ||
| I Don't Like The Man I Am | Pete Molinari | F♯ Minor | 4 | 11A | 121 BPM | ||
| I Was On Time | Kevin Morby | E Major | 5 | 12B | 88 BPM | ||
| Motel Blues | Loudon Wainwright III | G Major | 2 | 9B | 156 BPM | ||
| Baby | Donnie & Joe Emerson | E Minor | 5 | 9A | 90 BPM | ||
| Buzzin' Fly | Tim Buckley | F Major | 3 | 7B | 121 BPM | ||
| True Love Will Find You in the End | Daniel Johnston | B♭ Minor | 2 | 3A | 119 BPM | ||
| Miles From Nowhere | Yusuf / Cat Stevens | D Major | 5 | 10B | 162 BPM | ||
| Marlene - 2001 Remaster | Jackson C. Frank | F♯ Major | 2 | 2B | 130 BPM | ||
| Reason to Believe | Karen Dalton | G Major | 1 | 9B | 134 BPM | ||
| The Letter | The Box Tops | B♭ Minor | 10 | 3A | 154 BPM | ||
| Holding a Monument | Herman Düne | C Minor | 6 | 5A | 90 BPM | ||
| I Found a Reason - 2015 Remaster | The Velvet Underground | F Major | 3 | 7B | 78 BPM | ||
| Hey Baby | J.J. Cale | C Major | 3 | 8B | 147 BPM | ||
| To Sing for You | Donovan | F♯ Major | 2 | 2B | 84 BPM | ||
| Superlungs My Supergirl | Terry Reid | A♭ Major | 7 | 4B | 121 BPM |