"Hide" by Benjamin Monday had its release date on January 1, 2014. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Hide's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "The Secretary's Daughter". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Sweden. Hide is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Hide by Benjamin Monday having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| For Better or For Worse | Dylan Francis | D♭ Major | 0 | 3B | 67 BPM | ||
| Limitation (Scaled Down Version) | Vincent & A Secret | E♭ Major | 1 | 5B | 70 BPM | ||
| Changes In The Colors | Jonatan Mollberg | A♭ Major | 3 | 4B | 150 BPM | ||
| Dawning | LUCHS | C Major | 1 | 8B | 140 BPM | ||
| Here:Now | Alan Ellis | F Major | 2 | 7B | 98 BPM | ||
| Running | Ossie Woods | B♭ Major | 0 | 6B | 114 BPM | ||
| Silver And Coal | Jon E. Amber | C Major | 0 | 8B | 72 BPM | ||
| The Girl Plays | Leonard Anderson | E Minor | 0 | 9A | 82 BPM | ||
| Interconnectivity | Sigríður | C Major | 0 | 8B | 114 BPM | ||
| Far Away | Dorothy Laddland | D Major | 1 | 10B | 66 BPM | ||
| The Wait | Conrad Sieverts | A Minor | 1 | 8A | 107 BPM | ||
| Enchantement | Piano Novel | C Minor | 1 | 5A | 100 BPM | ||
| Étude | Theresa Kent | C Major | 1 | 8B | 164 BPM | ||
| The Snow Prelude No. 2 | Arti Huisman | C Major | 0 | 8B | 167 BPM | ||
| Last Bus Home | Enzo | F Major | 0 | 7B | 77 BPM | ||
| Thinking Like The Flowers | Rand Aldo | E♭ Major | 0 | 5B | 84 BPM | ||
| How did it Happen | Tom Holding | A Minor | 0 | 8A | 69 BPM | ||
| Revealing | Jon E. Amber | B♭ Major | 0 | 6B | 71 BPM | ||
| Figure | Benjamin Monday | A♭ Minor | 1 | 1A | 88 BPM | ||
| Meadow Mornings | Samuel Lindon | C Minor | 0 | 5A | 118 BPM | ||
| Haiku | Stefano Guzzetti | F Major | 0 | 7B | 70 BPM | ||
| Grace | Neil Cowley Trio | C Major | 1 | 8B | 120 BPM | ||
| Talisman Stallion | Bela Nemeth | F Major | 0 | 7B | 136 BPM | ||
| Too Much of Enough | Jonathan Coffey | A♭ Minor | 0 | 1A | 80 BPM | ||
| Panoramas | August Wilhelmsson | A♭ Major | 1 | 4B | 64 BPM |