Louis Rivelino's 'Steam Trains' had a release date set for January 20, 2026. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Steam Trains's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 4 in the song's album "Steam Trains". In this album, this song's track order is #1. Based on our statistics, Steam Trains's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Steam Trains by Louis Rivelino having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sex, Death, & Choices | William Crighton | E Major | 4 | 12B | 114 BPM | ||
| Firefly Moments | James Walsh | B♭ Minor | 3 | 3A | 124 BPM | ||
| Let It Be Me | Charles Esten, Jonathan Jackson | B♭ Minor | 3 | 3A | 124 BPM | ||
| Farewell to the Teacup | Shane Pendergast | E Major | 3 | 12B | 151 BPM | ||
| signs from the static | the amazing Lorenzo Landini | A Major | 8 | 11B | 95 BPM | ||
| All We'll Ever Be | Monotronic | B♭ Minor | 3 | 3A | 124 BPM | ||
| WTLG Revisited | Aitor Castells | A♭ Minor | 4 | 1A | 120 BPM | ||
| Here Come The Bells | Adam Lytle | D♭ Minor | 7 | 12A | 129 BPM | ||
| Landscapes of the Islands | Barbora Matuzaitė | C Major | 2 | 8B | 104 BPM | ||
| Coming up Fast | Tom Williams | B♭ Major | 6 | 6B | 83 BPM | ||
| Oh My Lord, Take My Soul | Scott Von Ryper | D Minor | 2 | 7A | 60 BPM | ||
| Lydia (Modern Love) | Scott Schube | B♭ Minor | 3 | 3A | 124 BPM | ||
| Tides of Your Loving | Louis Rivelino | E♭ Minor | 4 | 2A | 87 BPM | ||
| Wicked Wind | GALVEZTON | C Major | 7 | 8B | 143 BPM | ||
| We Become Roses | The Grownup Noise | F Major | 5 | 7B | 127 BPM | ||
| Wandering Through the Twilight | clank kelebu | B♭ Major | 2 | 6B | 112 BPM | ||
| Raised in the Rain | James Anto | B♭ Major | 4 | 6B | 78 BPM | ||
| Crystalline | Umbrellabirds | C Major | 3 | 8B | 142 BPM | ||
| Fly High (Little Bird) | Chris Yim | F Major | 4 | 7B | 143 BPM | ||
| Penumbra | Marla Moya | C Major | 1 | 8B | 116 BPM | ||
| The Hardest Part | Peter and the Lost Boys | B Minor | 3 | 10A | 103 BPM | ||
| Graduation Day | Syd Sidney | B♭ Minor | 3 | 3A | 124 BPM | ||
| Zippin Pippin | Thomas Frank Hopper | E♭ Minor | 3 | 2A | 118 BPM | ||
| I've Never Been Here Before | Hölljes | C Major | 4 | 8B | 170 BPM | ||
| Heaven is... | Katacombs | G Major | 4 | 9B | 140 BPM |