Martin Klem's 'True Blessings' had a release date set for June 8, 2018. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 10 out of 14 in Endings by Martin Klem. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, True Blessings's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of True Blessings by Martin Klem is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Gentle Touch | The Flax | D♭ Major | 1 | 3B | 112 BPM | ||
| A Short Story About Love | Rosey Chan | D Minor | 1 | 7A | 133 BPM | ||
| We Reached This Far | Peter Breiner, Royal Philharmonic Orchestra | A Major | 1 | 11B | 111 BPM | ||
| 25 Études faciles et progressives, Op. 100: No. 3, La pastorale | Friedrich Burgmüller, Carl Petersson | C Minor | 2 | 5A | 98 BPM | ||
| Desert Silhouette | Trevor Kowalski | E♭ Major | 1 | 5B | 67 BPM | ||
| The Sleeping Beauty, Op. 66a: No. 5, Waltz | Orchestra da Camera Fiorentina, Giuseppe Lanzetta | B♭ Major | 2 | 6B | 175 BPM | ||
| Waltz of the Flowers - piano arrangement by S. Taneyev | The Flaming Piano | D Major | 2 | 10B | 183 BPM | ||
| Life Balance | Roie Shpigler, Ziggy | D♭ Major | 2 | 3B | 79 BPM | ||
| Blooming Meadows | Arden Forest | D Major | 0 | 10B | 154 BPM | ||
| Bosco (Forest) | Hemio | G Major | 2 | 9B | 180 BPM | ||
| Gianni Schicchi: Oh! Mio babbino caro | Giacomo Puccini, Olga Kharitonova | C Major | 1 | 8B | 122 BPM | ||
| Summer Dreaming | Christina Higham | E♭ Major | 1 | 5B | 129 BPM | ||
| 12 One-Page Piano Pieces: Russian waltz | Elena Kats-Chernin, Caroline Almonte | G Minor | 1 | 6A | 74 BPM | ||
| Debussy Arabesque I | Fabio D'Andrea | C Major | 0 | 8B | 70 BPM | ||
| Cantata, BWV 147: Jesu, Joy Man´s Desiring (Arr. for Piano) | Alan Pianist | G Major | 2 | 9B | 184 BPM | ||
| The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Piano & Bass) | Camille Saint-Saëns, PianoBasso | A Major | 0 | 11B | 70 BPM | ||
| Fallow Deer | Martin Klem | C Minor | 0 | 5A | 60 BPM | ||
| Memories of Marigold | Howard Harper-Barnes | C Major | 2 | 8B | 160 BPM | ||
| Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Maxim Bernard | F Major | 0 | 7B | 134 BPM | ||
| A Thousand Years From Now | Martin Klem | D Major | 0 | 10B | 66 BPM | ||
| Prelude in D Major | Chad Lawson | A Major | 1 | 11B | 74 BPM | ||
| Rêverie | Angela Morley, Esther Abrami, Her Ensemble | B♭ Minor | 3 | 3A | 130 BPM | ||
| Kinderszenen, Op. 15: I. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
| Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Renaud Capuçon | A♭ Major | 2 | 4B | 89 BPM | ||
| They Call It Nonsense | Bonn Fields | G Major | 1 | 9B | 172 BPM |