A Boy Was Born, Op. 3: Variation V: In The Bleak Mid-Winter by Benjamin Britten, Jamie Hopkins, Harry Christophers, John Scott Song Details

"A Boy Was Born, Op. 3: Variation V: In The Bleak Mid-Winter" by Benjamin Britten, Jamie Hopkins, Harry Christophers, John Scott had its release date on October 1, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 25 out of 26 in A Ceremony Of Carols - Britten Choral Works II by Benjamin Britten, The Sixteen, Harry Christophers. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. A Boy Was Born, Op. 3: Variation V: In The Bleak Mid-Winter is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of A Boy Was Born, Op. 3: Variation V: In The Bleak Mid-Winter by Benjamin Britten, Jamie Hopkins, Harry Christophers, John Scott is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 11%
Loudness: -36.891 dB
Acousticness: 98%
Danceability: 15%
Energy: 1%
Instrumentalness: 60%
Liveness: 6%
Loudness: 39%
Speechiness: 5%
Valence: 4%

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