- BPM
- 75
- Key
- E♭ Major
- Camelot
- 5B
Le Corsaire: Pas de deux by Riccardo Drigo, London Symphony Orchestra, Richard Bonynge Song Details
"Le Corsaire: Pas de deux" by Riccardo Drigo, London Symphony Orchestra, Richard Bonynge had its release date on January 1, 1992. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 8 in Ballet Gala - Pas de Deux by London Symphony Orchestra, Richard Bonynge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Le Corsaire: Pas de deux is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Le Corsaire: Pas de deux by Riccardo Drigo, London Symphony Orchestra, Richard Bonynge is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 13%
- Loudness
- -16.319 dB
- Acousticness
- 92%
- Danceability
- 25%
- Energy
- 19%
- Instrumentalness
- 84%
- Liveness
- 8%
- Loudness
- 73%
- Speechiness
- 4%
- Valence
- 9%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Coppélia: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden | E♭ Major | 1 | 5B | 72 BPM | |
 | La Bayadère / Act 3: No.43 Moderato con moto | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | D Minor | 0 | 7A | 67 BPM | |
 | Peer Gynt Suite No. 1, Op. 46: II. The Death of Åse - Recorded 1982 | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | |
 | Tales from the Vienna Woods - Waltz Op. 325 | Johann Strauss II, Hallé, Bryden Thomson | F Major | 0 | 7B | 181 BPM | |
 | Aus aller Herren Landern (From Foreign Lands), Op. 23: VI.Hungarian: Molto allegro | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | D Major | 4 | 10B | 141 BPM | |
 | Manon Ballet - Arranged and orchestrated by Leighton Lucas with the collaboration of Hilda Gaunt / Act 1: Scene 1 - The Courtyard of an Inn near Paris | Jules Massenet, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Minor | 0 | 9A | 86 BPM | |
 | Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | |
 | Don Quixote, Act IV: Quiteria's Variation | Valery Zhelobinsky, Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 102 BPM | |
 | Prokofiev: Cinderella, Op. 87, Act 2: No. 37, Waltz-Coda | Sergei Prokofiev, André Previn, London Symphony Orchestra | G Major | 2 | 9B | 103 BPM | |
 | Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | C Minor | 1 | 5A | 55 BPM | |
 | "Dance Of The Hours" from La Gioconda | London Symphony Orchestra | D♭ Minor | 1 | 12A | 84 BPM | |
 | The Merry Widow: Overture | Franz Lehár, National Philharmonic Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 130 BPM | |
 | The Tales of Hoffmann: Barcarolle | Jacques Offenbach, Harry Rabinowitz | F Minor | 1 | 4A | 116 BPM | |
 | Inocente Galindo | Zarahuato | E♭ Major | 0 | 5B | 80 BPM | |
 | Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 0 | 6A | 66 BPM | |
 | Ballet Suite No. 1 (arr. L. Atovmyan): Lyric Waltz (Suite for Jazz Orchestra No. 1) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E♭ Major | 2 | 5B | 103 BPM | |
| Manon Ballet - Arranged and orchestrated by Leighton Lucas with the collaboration of Hilda Gaunt / Act 3: Scene 3 - A Swamp in Louisiana | Jules Massenet, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D♭ Major | 3 | 3B | 70 BPM | |
 | Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | E♭ Major | 1 | 5B | 70 BPM | |
 | Chopiniana, Op. 46: IV. Valse (After Op. 64 No. 2) | Alexander Glazunov, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | D Minor | 1 | 7A | 136 BPM | |
 | Jeux d'enfants, Op. 22: I. March | Georges Bizet, Barry Wordsworth, London Symphony Orchestra | C Major | 1 | 8B | 132 BPM | |
 | Giselle: No. 20 - Allegro feroce | Adolphe Adam, Michael Tilson Thomas, London Symphony Orchestra | G Major | 4 | 9B | 124 BPM | |
| Prokofiev: Cinderella, Op. 87, Act 1: No. 12, Spring Fairy | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 1 | 8B | 82 BPM | |
 | Petrushka: Danse Russe | Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky | D Minor | 5 | 7A | 80 BPM | |
 | Raymonda, Act I: La Romanesca (Danse pour deux dames et deux pages) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E Minor | 1 | 9A | 106 BPM | |
 | Jazz Suite No. 2: VII. Dance 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 109 BPM |
- ISRC
- GBF076411385
- Label
- L-M Records/RCA Records