Rekha Rao, Tej Karan Rao's ' "Leja Leja Re Sandeso" was released on its scheduled release date, December 5, 2022. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rekha Rao, Tej Karan Rao's "Ghoomar (Vol. 1)" album is number 40 out of 44. On top of that, South Africa appears to be the country where this track was created. Based on our statistics, Leja Leja Re Sandeso's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Leja Leja Re Sandeso by Rekha Rao, Tej Karan Rao to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aisa Damru Bajaya Bhole Nath Ne | Mishra Bandhu | F♯ Minor | 7 | 11A | 126 BPM | ||
| Hivde Su Dur Mat Jay | Raj Menaria, Rekha Rao | D♭ Major | 7 | 3B | 105 BPM | ||
| Nazar Na Lag Jaye | Manoj Sharma Gwalior | A♭ Major | 9 | 4B | 167 BPM | ||
| Khatu Jaana Hai | Raj Pareek | B♭ Major | 8 | 6B | 145 BPM | ||
| Khele Masane Mein Holi Digambar | Mishra Bandhu | E♭ Minor | 8 | 2A | 75 BPM | ||
| Mere Man Mein Bhi Ram Mere Tan Mein Bhi Ram | Dhiraj Sharma | B Minor | 5 | 10A | 102 BPM | ||
| Bhagwan Tumhare Charno Mein | Santosh Upadhyay | C Major | 7 | 8B | 120 BPM | ||
| Tera Dar To Haqiqat Main Dukhiyon Ka Sahara Hai | Gajendra Pratap Singh | D♭ Major | 8 | 3B | 102 BPM | ||
| Fagun Ka Nazara | Raj Pareek | E♭ Major | 5 | 5B | 178 BPM | ||
| Patli Si Pitambari | Azhar Ali | A Major | 6 | 11B | 144 BPM | ||
| Gaonve Gaonve Pachra Gawaye Laagal | MANOJ TIWARI, Rekha Rao | A♭ Major | 6 | 4B | 113 BPM | ||
| Kirtan Ki Hai Raat Baba Aaj Thane Aano Hai | Mithlesh Sharma | A♭ Major | 6 | 4B | 153 BPM | ||
| Ram Ko Dekh Kar Shri Janak Nandini | Prakash Gandhi | F Major | 7 | 7B | 136 BPM | ||
| Gar Zor Mero Chale | Reshmi Sharma | C Minor | 10 | 5A | 108 BPM | ||
| Mujhko Nandi Banale 2 | Shekhar Jaiswal | D Major | 7 | 10B | 180 BPM | ||
| Zari Ki Pagdi Bandhe Sundar Ankho Wala | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Major | 8 | 4B | 88 BPM | ||
| Yaad Kiya Na Kabhi | Sanjay Mittal | G Major | 9 | 9B | 87 BPM | ||
| Shyam Baba Tere Paas Aaya Hoon | Sanchit | A Major | 9 | 11B | 100 BPM | ||
| Banoge Radha To Ye Janoge | Mukesh Bagda | C Minor | 7 | 5A | 144 BPM | ||
| Kalka Maa | Tarun Sagar | F♯ Major | 9 | 2B | 148 BPM | ||
| O Maiya Bhawani Maiya - Uttrakhandi | Khushi Joshi | B Major | 7 | 1B | 93 BPM | ||
| Pitambara Mata Bhajan - Datia Mein Sajaa Hai Darbar | Rekha Rao | B Major | 4 | 1B | 93 BPM | ||
| Picham Dhara Su Mhara Pirji Padhariya | Prakash Mali | B♭ Minor | 8 | 3A | 91 BPM | ||
| Hare Ka Sahara | Parmen, Geetaben Rabari, Tijara Vines | B♭ Major | 6 | 6B | 170 BPM | ||
| Maiya Tere Darbar Ye Diwane Aaye Hai | Shahnaz Akhtar | B♭ Minor | 8 | 3A | 102 BPM |