Blossom Dearie's ' "Moonlight Saving Time" was released on its scheduled release date, April 1, 1959. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Moonlight Saving Time's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Once Upon A Summertime". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Moonlight Saving Time is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Moonlight Saving Time by Blossom Dearie having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beautiful Love | Anita O'Day | F Minor | 2 | 4A | 83 BPM | ||
| The Song Is You | Dakota Staton | D Major | 5 | 10B | 132 BPM | ||
| Life Is A Groove (Jordu) | Karrin Allyson | D♭ Major | 3 | 3B | 154 BPM | ||
| Get out and Get Under the Moon | Maxine Sullivan, Bob Haggart, Ike Isaacs, Dardanelle, Sil Austin | A♭ Major | 2 | 4B | 116 BPM | ||
| A Woman's Intuition | Beverly Kenney | A♭ Major | 1 | 4B | 178 BPM | ||
| I'm in Love | Connie Lansberg, Mark Fitzgibbon, Ben Hanlon, Peter Hodges | B Minor | 4 | 10A | 78 BPM | ||
| Exactly Like You | Carmen McRae | F Major | 4 | 7B | 135 BPM | ||
| How Long Has This Been Going On? | Dorothy Dandridge | G Major | 1 | 9B | 128 BPM | ||
| Give Me The Simple Life | Lorez Alexandria | C Major | 1 | 8B | 62 BPM | ||
| (It Will Have To Do) Until The Real Thing Comes Along | Dakota Staton | A Major | 2 | 11B | 67 BPM | ||
| Down With Love | Blossom Dearie | F Major | 4 | 7B | 138 BPM | ||
| A Blossom Fell | Sue Raney | D Minor | 2 | 7A | 132 BPM | ||
| Impossible | Sue Raney | E Major | 1 | 12B | 97 BPM | ||
| 'S Wonderful / They Can't Take That Away From Me | Anita O'Day, Oscar Peterson Quartet | G Major | 3 | 9B | 116 BPM | ||
| Don Cha Go Way Mad | Lucy Ann Polk | C Minor | 0 | 5A | 116 BPM | ||
| PS I Love You | Ketty Lester | C Major | 1 | 8B | 132 BPM | ||
| Do Nothing 'Til You Hear From Me | Molly Johnson | B♭ Major | 2 | 6B | 65 BPM | ||
| Lover Come Back To Me | Cassandra Wilson | F♯ Major | 3 | 2B | 126 BPM | ||
| It Ain't The Meat It's The Motion | Amanda Carr | C Major | 2 | 8B | 140 BPM | ||
| You're The Top | Anita O'Day | F♯ Minor | 2 | 11A | 76 BPM | ||
| You'd Be So Nice To Come Home To | Helen Merrill | C Major | 1 | 8B | 130 BPM | ||
| Solid Gold Cadillac | Pearl Bailey | E♭ Major | 2 | 5B | 105 BPM | ||
| Street of Dreams | Lee Wiley | B♭ Minor | 1 | 3A | 90 BPM | ||
| Willow Weep For Me | Dakota Staton | C Major | 3 | 8B | 97 BPM | ||
| 'Round Midnight | Betty Carter | B♭ Minor | 1 | 3A | 51 BPM |