- BPM
- 123
- Key
- F Minor
- Camelot
- 4A
Reflection by Max Jacob Song Details
Max Jacob's 'Reflection' had a release date set for March 20, 2017. This song is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. There are a total of 25 in the song's album "Nothing But... Miami 2017, Progressive". In this album, this song's track order is #13. Based on our statistics, Reflection's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
BPM and Tempo
With Reflection by Max Jacob having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -11.29 dB
- Acousticness
- 7%
- Danceability
- 80%
- Energy
- 66%
- Instrumentalness
- 91%
- Liveness
- 8%
- Loudness
- 81%
- Speechiness
- 5%
- Valence
- 36%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Strauss II, J: La chauve-souris, Act 2: Couplets. "Versez-nous le champagne" (Orlofsky, Arlette, Gaillardin, Chœur) | Johann Strauss II, Franck Pourcel, Choeurs Rene Duclos, Jacques Pruvost, Liliane Berton, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | |
 | Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | |
 | Mass No. 3 in F Minor, WAB 28: IV. Sanctus - Live | Anton Bruckner, Pablo Heras-Casado, SWR Symphonieorchester, Erika Baikoff, Wiebke Lehmkuhl, Sebastian Kohlhepp, Matthew Rose | A Major | 1 | 11B | 61 BPM | |
 | Lehár: La veuve joyeuse, Act I: Finale. "Cotillon, c'est l'heure du cotillon" - "C'est la valse, écoutez" | Franz Lehár, Yvon Leenart, André Mallabrera, Christos Grigoriou, Choeurs Rene Duclos, Jean Christophe Benoit, Michel Dens, Micheline Dax, Suzanne Lafaye, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 1 | 10A | 97 BPM | |
 | Thaïs / Acte Un: Voici le pain | Jules Massenet, Olivier Schock, Bernard Mansencal, Bruno Moga, Loïc Cassin, José Luis Victoria, Stefano Palatchi, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | |
 | Carmen / Act 1: Choeur: "Au secours!" | Georges Bizet, Alexander Malta, Jean-Noel Sissia, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | D Major | 3 | 10B | 109 BPM | |
 | Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM | |
 | Tosca, Act III: Mario Cavaradossi? A voi | Giacomo Puccini, Jonathan Tetelman, Costantino Finucci, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | |
 | Le nozze di Figaro, K.492, Act III: Duettino. "Canzonetta sull aria" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | |
 | Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 3, Song with Chorus. "Ye Spotted Snakes" | Felix Mendelssohn, Otto Klemperer, Heather Harper, Janet Baker, Philharmonia Chorus, Philharmonia Orchestra | G Major | 0 | 9B | 94 BPM | |
 | Sand and Tonic - Original Mix | Max Jacob | G Minor | 7 | 6A | 120 BPM | |
 | Les Pêcheurs de perles, WD 13: Prelude | Georges Bizet, Alexandre Bloch, Orchestre National de Lille | C Minor | 1 | 5A | 95 BPM | |
 | Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Romance: "Der Vollmond strahlt auf Bergeshöh'n" | Franz Schubert, Elly Ameling, Gewandhausorchester Leipzig, Kurt Masur | F Major | 0 | 7B | 76 BPM | |
 | La fille du régiment / Act 1: Rataplan, rataplan, rataplan | Gaetano Donizetti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Major | 6 | 12B | 127 BPM | |
 | The Dream of Gerontius, Op. 38, Pt. 1: IIa. Jesu, Maria, I Am Near to Death | Edward Elgar, David Butt Philip, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins | A Major | 1 | 11B | 61 BPM | |
 | Don Pasquale - What an Interminable Coming and Going | Gaetano Donizetti, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Otmar Suitner | B♭ Major | 1 | 6B | 139 BPM | |
 | Le Bal masqué, FP60: I. Préambule et air de bravure | Francis Poulenc, Max Jacob, Roderick Williams, Mark Bebbington, Royal Philharmonic Orchestra, Jan Latham-Koenig | C Major | 3 | 8B | 95 BPM | |
 | Carmen, Act III: Carreau! Pique!... La mort! | Georges Bizet, Aigul Akhmetshina, Elisabeth Boudreault, Kezia Bienek, Royal Philharmonic Orchestra, Daniele Rustioni | F Major | 1 | 7B | 94 BPM | |
 | Eugene Onegin, Op. 24, TH. 5 / Act II: (Scene 1) Entr'acte and Waltz With Chorus. "Vot tak syurpriz!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Jürgen Hartfiel, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | |
 | Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM | |
 | Offenbach: Les Brigands, Act 1: No. 1bis, Mélodrame - No. 2, Couplets de Fiorella, "Au chapeau, je porte une aigrette" (Fiorella, Choeur) | Jacques Offenbach, John Eliot Gardiner - Choeurs De L'Opéra National De Lyon - Orch Nat Opéra De Lyon - Ghyslaine Raphanel, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | |
 | Bizet: Carmen, Act 1: "Près des remparts de Séville" (Seguédille) [Carmen] | Georges Bizet, Maria Callas, Georges Prêtre, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 83 BPM | |
 | Neuf mélodies retrouvées: No. 5, Naïs | Reynaldo Hahn, Julie Roset, Susan Manoff | A Major | 1 | 11B | 61 BPM | |
 | Falstaff / Act 2: "Gaie comari di Windsor!" | Giuseppe Verdi, Adrianne Pieczonka, Stella Doufexis, Larissa Diadkova, Dorothea Röschmann, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 92 BPM | |
 | Norma (Ed. Biondi & Minasi), Act I Scene 1: Va, crudele, al Dio spietato | Vincenzo Bellini, John Osborn, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | A♭ Major | 3 | 4B | 134 BPM |
- ISRC
- UK8XR1600061
- Label
- L-M Records/RCA Records