"Hidden in the Shadows" by Wayne Roberts had its release date on October 27, 2020. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 14 in Analogue Reflections (Original Score) by Wayne Roberts. Hidden in the Shadows is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hidden in the Shadows by Wayne Roberts is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Take My Leave Of You | Ólafur Arnalds, Arnór Dan | G Minor | 1 | 6A | 120 BPM | ||
| Disclaimer Reprise | Finneas O'Connell, Attacca Quartet | E Minor | 2 | 9A | 87 BPM | ||
| Church | Lawless, Valen | G Major | 7 | 9B | 170 BPM | ||
| Anatomy Of A Scandal | Johan Söderqvist | D♭ Minor | 3 | 12A | 135 BPM | ||
| Open | Rob | A Minor | 3 | 8A | 59 BPM | ||
| Pass Them By | Agnes Obel | E Minor | 3 | 9A | 108 BPM | ||
| Requiem for a Private War | Annie Lennox | A Minor | 1 | 8A | 110 BPM | ||
| Good Girl | Ruth Barrett | D♭ Major | 1 | 3B | 69 BPM | ||
| Hillinghead & Henry | Jon Opstad | A Minor | 0 | 8A | 69 BPM | ||
| Amazing Adventures | Atli Örvarsson | A Major | 3 | 11B | 140 BPM | ||
| History | Andrew Lockington | G Minor | 1 | 6A | 71 BPM | ||
| Hurt | Alexandre Lessertisseur, Sofia Session Choir | F Minor | 2 | 4A | 96 BPM | ||
| Material Design | David Celeste | A Minor | 3 | 8A | 87 BPM | ||
| Inquisitive Bass | Hamish Balfour-Paul, Wayne Roberts | E Major | 2 | 12B | 102 BPM | ||
| She Might Be Scared of You | Luke Richards | E Minor | 1 | 9A | 92 BPM | ||
| Tiptoe | Sohnarr | E Minor | 1 | 9A | 146 BPM | ||
| Faceless Killer | Wayne Roberts | D Major | 1 | 10B | 80 BPM | ||
| Black Ice | Wayne Roberts | D Major | 1 | 10B | 80 BPM | ||
| Icarus Ending | Adam Peters | C Minor | 4 | 5A | 106 BPM | ||
| The Rift | Solomon Grey | F Major | 2 | 7B | 87 BPM | ||
| The Art of Tennis | Jonas Struck, Vladislav Delay | G Minor | 2 | 6A | 82 BPM | ||
| We’re Not Gonna Make It | Alba August | B♭ Major | 4 | 6B | 120 BPM | ||
| Covert Chase | Hamish G. Balfour-Paul, Wayne Roberts | E Major | 2 | 12B | 102 BPM | ||
| Choice | August Fenger Janson | A Minor | 2 | 8A | 65 BPM | ||
| I’m Sorry | Nathan Barr, Dimitri Smith | B♭ Major | 2 | 6B | 112 BPM |