Ludwig van Beethoven, 小森谷裕子's '新しいバイオリン教本 2: 34 トルコ行進曲 [カラピアノ]' had a release date set for March 25, 1995. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in 新しいバイオリン教本 2 [音楽之友社楽譜準拠] -監修: 長谷川武久-, so we believe that "新しいバイオリン教本 2: 34 トルコ行進曲 [カラピアノ]" is a single. In terms of popularity, 新しいバイオリン教本 2: 34 トルコ行進曲 [カラピアノ] is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of 新しいバイオリン教本 2: 34 トルコ行進曲 [カラピアノ] by Ludwig van Beethoven, 小森谷裕子 is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa Solemnis in D Major, Op. 123: I. Kyrie | Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus Wien | D Major | 1 | 10B | 77 BPM | ||
| Bagatelle in A Minor, WoO 59 "Für Elise" | Ludwig van Beethoven, Alfred Brendel | A Minor | 0 | 8A | 130 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 2 in B Minor | Niccolò Paganini, Itzhak Perlman | B Minor | 3 | 10A | 95 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E♭ Major | 1 | 5B | 113 BPM | ||
| Triple Concerto For Violin, Cello And Piano In C Major, Op. 56: II. Largo | Maria Kliegel, Dong-Suk Kang, Jenő Jandó, Nicolaus Esterhazy Sinfonia, Ludwig van Beethoven | A♭ Major | 0 | 4B | 82 BPM | ||
| Piano Sonata No. 1 in F Minor, Op. 2 No. 1: III. Menuetto. Allegretto - Recorded 1981 | Ludwig van Beethoven, Daniel Barenboim | C Major | 2 | 8B | 120 BPM | ||
| Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 1 in E Major | Niccolò Paganini, Itzhak Perlman | E Major | 3 | 12B | 102 BPM | ||
| Symphony No. 3 in A Minor, Op. 56, MWV N 18 "Scottish": 4. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | A Minor | 3 | 8A | 121 BPM | ||
| Septet in E-Flat Major, Op. 20: III. Tempo di menuetto | Ludwig van Beethoven, József Balogh, Jozsef Vajda, Jeno Kevehazi, Ildiko Hegyi, Gyözö Máthé, Péter Szabó, Istvan Toth | E♭ Major | 1 | 5B | 120 BPM | ||
| Moses Fantasy | Niccolò Paganini, Nemanja Radulović | C Major | 1 | 8B | 100 BPM | ||
| Requiem, K. 626: Lacrimosa | Wolfgang Amadeus Mozart, Michael Finnissy, Academy of Ancient Music, Stephen Cleobury, Choir of King's College, Cambridge | D Minor | 1 | 7A | 132 BPM | ||
| Carnaval, Op. 9: No. 12, Chopin | Robert Schumann, Boris Giltburg | B♭ Minor | 0 | 3A | 92 BPM | ||
| Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A Major | 3 | 11B | 75 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
| 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante | Carl Maria von Weber, Michael Endres | E Major | 1 | 12B | 87 BPM | ||
| Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
| Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
| Ave Maria, S. 558/12 | Franz Schubert, Lang Lang | B♭ Major | 0 | 6B | 64 BPM | ||
| 3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
| Cantabile, MS 109/Op. 17 (Arr. for Cello and Guitar) | Niccolò Paganini, Jan Vogler | D Major | 3 | 10B | 124 BPM | ||
| Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM | ||
| Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "on the G String" | Johann Sebastian Bach, David Bell, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 113 BPM | ||
| The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
| Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM |