Rob Dougan's 'The Return (Orchestral Session)' had a release date set for August 27, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since The Return (Orchestral Session) only contains only one song in the album, we like to consider this song as a single. Based on our statistics, The Return (Orchestral Session)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Return (Orchestral Session) by Rob Dougan having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Drug Lab | Mike Shinoda, Joseph Trapanese | D♭ Major | 8 | 3B | 110 BPM | ||
| American Caesar | The Great Vorelli | F♯ Minor | 2 | 11A | 143 BPM | ||
| Kimera | Hoenix | A♭ Major | 6 | 4B | 133 BPM | ||
| Fire In The Sun | Elite Force | G Major | 9 | 9B | 102 BPM | ||
| Don Abandons Alice | John Murphy | D Minor | 3 | 7A | 76 BPM | ||
| Thirteen | Matt Lange | F Minor | 0 | 4A | 145 BPM | ||
| Duel of the Fates (Reimagined) [From Star Wars Episode I: The Phantom Menace] | Daniel Ciurlizza | A Minor | 6 | 8A | 134 BPM | ||
| Naru's Way | Sarah Schachner | A Minor | 4 | 8A | 99 BPM | ||
| Innerwars | Jack Bartman | D Minor | 3 | 7A | 175 BPM | ||
| Terminator Zero | Michelle Birsky, Kevin Henthorn | D♭ Major | 2 | 3B | 114 BPM | ||
| Penumbra | Hannah Parrott | G Major | 4 | 9B | 120 BPM | ||
| Big Wednesday | Adam Freeland | D♭ Minor | 4 | 12A | 124 BPM | ||
| Inception - Junkie XL Remix | Hans Zimmer, Junkie XL | A♭ Major | 6 | 4B | 120 BPM | ||
| Death Is the Road to Awe (feat. Kronos Quartet) | Clint Mansell, Kronos Quartet | D Minor | 4 | 7A | 111 BPM | ||
| To The Roof | John Powell, Pete Anthony, The Hollywood Studio Symphony | G Major | 6 | 9B | 103 BPM | ||
| Gondola | OGRE Sound | F♯ Minor | 9 | 11A | 104 BPM | ||
| Rise! | Cyrus Reynolds | A Minor | 3 | 8A | 174 BPM | ||
| Exosuit | derani | F Major | 3 | 7B | 120 BPM | ||
| A New World | Code Elektro | D Major | 3 | 10B | 180 BPM | ||
| Gefion | Christian Reindl, Lucie Paradis | D Minor | 3 | 7A | 141 BPM | ||
| Subgrade | eel | C Major | 4 | 8B | 144 BPM | ||
| The Dark Parade | Amarok | A♭ Major | 3 | 4B | 110 BPM | ||
| Shirk | Hoenix, Epic Music World | D♭ Major | 8 | 3B | 110 BPM | ||
| Recruiting | Johnny Klimek, Tom Tykwer | D♭ Major | 1 | 3B | 99 BPM | ||
| Fond | John Hayes | F♯ Minor | 8 | 11A | 105 BPM |