"As Far as the Eye Can See" by Do Make Say Think had its release date on May 19, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Stubborn Persistent Illusions". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Canada. Based on our statistics, As Far as the Eye Can See's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With As Far as the Eye Can See by Do Make Say Think having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Form Takes | Bing & Ruth | F♯ Major | 3 | 2B | 75 BPM | ||
| Separation No. 2 | Caspian | D Minor | 1 | 7A | 77 BPM | ||
| Losing You to You | Hammock | B Major | 3 | 1B | 116 BPM | ||
| Sea Urchins | Yo La Tengo | A Major | 4 | 11B | 160 BPM | ||
| The Great Unwind | William Tyler | E Major | 4 | 12B | 128 BPM | ||
| Ambo | The Album Leaf | C Major | 2 | 8B | 100 BPM | ||
| CAPEL BETHANIA | Bibio | A Minor | 4 | 8A | 70 BPM | ||
| Rhine & Courtesan | Christian Erik Frederickson, Jason Bingham Noble, Rachel Grimes, Rachel's | C Minor | 1 | 5A | 93 BPM | ||
| Worth Everything Ever Wished for | The End Of The Ocean | B Major | 7 | 1B | 105 BPM | ||
| This Shameless Moment | Saxon Shore | E Major | 8 | 12B | 128 BPM | ||
| After the Funeral | Grails | A Minor | 4 | 8A | 132 BPM | ||
| Losing the Light | Explosions In The Sky | B Major | 2 | 1B | 121 BPM | ||
| Gone Clear | William Tyler | C Major | 2 | 8B | 160 BPM | ||
| Artificial Horizon | PVT | D Major | 5 | 10B | 100 BPM | ||
| Three and a Half Feet High and Rising | El Ten Eleven | A Major | 8 | 11B | 130 BPM | ||
| Little Dreamer | Yppah | D Major | 8 | 10B | 114 BPM | ||
| Spaces Between Days (Part 3) | The Six Parts Seven | E Major | 4 | 12B | 116 BPM | ||
| A With Living | Do Make Say Think | G Major | 3 | 9B | 113 BPM | ||
| Glider | Tycho | G Major | 9 | 9B | 126 BPM | ||
| Wally, Egon & Models in the Studio | Rachel Grimes, Rachel's | D♭ Major | 0 | 3B | 66 BPM | ||
| Their Faces Streaked with Light and Filled with Pity | Mary Lattimore | E Minor | 3 | 9A | 175 BPM | ||
| Garcia Counterpoint | Bryce Dessner | A Major | 4 | 11B | 100 BPM | ||
| 3 Plus 4 | El Ten Eleven | A Major | 8 | 11B | 120 BPM | ||
| There Is A Number Of Small Things | múm | C Major | 2 | 8B | 120 BPM | ||
| Electric Counterpoint: II. Slow | Steve Reich, Jonny Greenwood | B Major | 4 | 1B | 96 BPM |