Reshma's ' "Meri Hamjoliyan" was released on its scheduled release date, January 1, 1983. This song is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. The track order of this song in Reshma's "Meri Pasand" album is number 9 out of 12. On top of that, United States appears to be the country where this track was created. In terms of popularity, Meri Hamjoliyan is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Meri Hamjoliyan by Reshma to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yaad Koi Aa Raha Hai | Salma Agha | G Major | 4 | 9B | 133 BPM | ||
| Na Jee Bharke Dekha | Chandan Dass | F♯ Minor | 5 | 11A | 150 BPM | ||
| Chandni O Meri Chandni | Sridevi Kapoor, Jolly Mukherjee | D Minor | 8 | 7A | 91 BPM | ||
| Niyara Ho Ja Bartar | Sarita Chaudhary, Reshma, Prem Lata, Sangeeta Sharma | B♭ Major | 6 | 6B | 77 BPM | ||
| Ek Bangla Bane Nyara | K. L. Saigal | E♭ Major | 4 | 5B | 107 BPM | ||
| Mere Piya Gaye Rangoon | Shamshad Begum, C. Ramchandra | D Major | 7 | 10B | 143 BPM | ||
| Ulfat Ki Nai Manzil Ko Chala | Iqbal Bano | B♭ Major | 5 | 6B | 88 BPM | ||
| Jab Deep Jale Aana | K. J. Yesudas, Hemlata | B♭ Major | 6 | 6B | 84 BPM | ||
| Too Nahin To Zindagi Mein Aur Kya Rah Gaya | Chitra Singh | B Major | 3 | 1B | 109 BPM | ||
| Yeh Dhoop Kinara | Nayyara Noor | D Major | 2 | 10B | 166 BPM | ||
| Kahan Ho Tum Chalay Aao | Shahnaz Begum | G Major | 6 | 9B | 168 BPM | ||
| Afsana Likh Rahi Hoon | Uma Devi | E♭ Major | 3 | 5B | 79 BPM | ||
| Uth Gay Gawandon Yaar | Reshma | B♭ Major | 2 | 6B | 81 BPM | ||
| Nak Naal Lakira Kad Di | Anjan Ferozpuri, Reshma | D Major | 6 | 10B | 117 BPM | ||
| Lambi Judaai | Reshma, Laxmikant–Pyarelal | B Major | 5 | 1B | 136 BPM | ||
| Aai Khuda Har Faisla - From "Abdullah" | Kishore Kumar, R. D. Burman | B♭ Major | 4 | 6B | 156 BPM | ||
| Woh Jo Ham Men Tum Men Qarar Tha | Begum Akhtar | D Minor | 3 | 7A | 112 BPM | ||
| Sharab Cheez Hi Aisi | Pankaj Udhas | B Minor | 5 | 10A | 99 BPM | ||
| Chham Chham Chanan | Sarita Chaudhary, Reshma, Prem Lata, Sangeeta Sharma | D♭ Minor | 8 | 12A | 121 BPM | ||
| Zindagi Mere Ghar Aana | Bhupinder Singh, Anuradha Paudwal | D Major | 3 | 10B | 139 BPM | ||
| Jab Dil Hi Toot Gaya | K. L. Saigal | E♭ Minor | 5 | 2A | 111 BPM | ||
| Dil Ki Yeh Arzoo Thi | Mahendra Kapoor, Salma Agha | E♭ Major | 3 | 5B | 103 BPM | ||
| Yeh Sila Mila Hai Mujhko | Munni Begum | F Minor | 4 | 4A | 123 BPM | ||
| Kabhi To Khul Ke Baras | Chitra Singh | A♭ Major | 5 | 4B | 78 BPM | ||
| Tera Saya Jahan Bhi Ho Sajna | Nayyara Noor | A Major | 4 | 11B | 141 BPM |