Serenade for Strings, Op. 48: III. Elegia. Larghetto elegiaco by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan Song Details

"Serenade for Strings, Op. 48: III. Elegia. Larghetto elegiaco" by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan had its release date on January 1, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan's "Karajan conducts Tchaikovsky" album is number 7 out of 69. On top of that, Germany appears to be the country where this track was created. Serenade for Strings, Op. 48: III. Elegia. Larghetto elegiaco is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Serenade for Strings, Op. 48: III. Elegia. Larghetto elegiaco by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

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Popularity: 15%
Loudness: -15.696 dB
Acousticness: 92%
Danceability: 14%
Energy: 14%
Instrumentalness: 76%
Liveness: 14%
Loudness: 74%
Speechiness: 4%
Valence: 5%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse	Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet	G Major	1	9B	66 BPM
Concerto in D Minor for Two Violins, BWV 1043: Vivace	Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent	A Minor	2	8A	94 BPM
The Sorcerer's Apprentice	Philharmonia Orchestra	D♭ Major	2	3B	130 BPM
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes	Alexander Borodin, Anima Eterna, Jos Van Immerseel	A Major	0	11B	87 BPM
Don Quixote: Act I: Coda: Basilio and Quiteria make their escape	Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov	D Major	2	10B	167 BPM
Symphony No. 8 in B Minor, D. 759 "Unfinished": 1. Allegro moderato	Franz Schubert, Berliner Philharmoniker, Herbert von Karajan	B Minor	1	10A	107 BPM
Romeo and Juliet, Op. 64: No. 13 Dance of the Knights	Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler	C Major	1	8B	73 BPM
Carmen Fantasy, Op. 25: I. Moderato	Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada	D Major	1	10B	89 BPM
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam	Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra	F Major	1	7B	82 BPM
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo	Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa	G Minor	2	6A	123 BPM
Lieder ohne Worte, Op. 19b: Lieder ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" [Venetian Gondola Song]	Felix Mendelssohn, Péter Nagy	G Major	0	9B	101 BPM
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": IV. Allegro con fuoco	Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan	E Minor	2	9A	136 BPM
Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	D Minor	0	7A	84 BPM
Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song)	Edvard Grieg, Einar Steen-Nøkleberg	B♭ Major	0	6B	72 BPM
The Sleeping Beauty, Op. 66 : Valse	Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice	B♭ Major	2	6B	100 BPM
Carmen Concert Fantasy, Op. 25: IV. Allegro moderato	Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo	D Major	1	10B	111 BPM
Don Quixote: Act III: Classical Variation II	Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov	F Minor	1	4A	98 BPM
Piano Sonata No.14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": III. Presto agitato	Ludwig van Beethoven, Daniel Barenboim	D♭ Minor	1	12A	75 BPM
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered	Alexander Scriabin, Vladimir Horowitz	D♭ Minor	3	12A	72 BPM
Holberg Suite, Op. 40: I. Präludium (Allegro vivace)	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	G Major	1	9B	135 BPM
Rachmaninov: Symphony No. 3 in A Minor, Op. 44: II. Adagio ma non troppo - Allegro vivace	Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra	E♭ Minor	0	2A	117 BPM
Giselle, Act 2: No. 18 Giselle and Albrecht Pas de deux	Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon	A♭ Major	1	4B	129 BPM
Symphony No. 40 in G Minor, K. 550: I. Molto allegro	Wolfgang Amadeus Mozart, Mozarteum Orchestra Salzburg, Ivor Bolton	G Minor	2	6A	105 BPM
Carnival of the Animals, R. 125: XIII. The Swan	Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard	G Major	0	9B	79 BPM
Nocturne No. 2 in E-Flat Major, Op. 9 No. 2	Frédéric Chopin, Daniel Barenboim	E♭ Major	0	5B	79 BPM