"Yearnings" by Mike Garson, Jim Walker had its release date on March 1, 2012. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Yearnings's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Pied Piper". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Yearnings is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Yearnings by Mike Garson, Jim Walker having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The System Only Dreams in Total Darkness - Live in Rome | The National | D Major | 5 | 10B | 79 BPM | ||
| Cinnamon Horses | Nick Cave & The Bad Seeds | G Minor | 4 | 6A | 78 BPM | ||
| Cinnamon Horses - Live God | Nick Cave & The Bad Seeds | A♭ Major | 5 | 4B | 89 BPM | ||
| Fill You In - Live with the ASO | Josh Pyke, Adelaide Symphony Orchestra | G Major | 3 | 9B | 130 BPM | ||
| Il tuo ricordo | Samuele Bersani | G Major | 4 | 9B | 185 BPM | ||
| Feel It - Live | KillerStar, Mike Garson, Gerry Leonard, Mark Plati, Andy Snitzer | D Major | 9 | 10B | 124 BPM | ||
| Books | Paul Weller | G Major | 4 | 9B | 153 BPM | ||
| Heaven's Deep Blue Sky | Leo Spauls, Mike Garson | E Minor | 7 | 9A | 207 BPM | ||
| Since I Fell for You | Lyn Stanley, Mike Garson | F♯ Major | 2 | 2B | 84 BPM | ||
| Where Do We Go When We Die? | The The | E Minor | 4 | 9A | 130 BPM | ||
| Leaving New York - Live From St. James’s Church, London / 2004 | R.E.M. | G Major | 7 | 9B | 95 BPM | ||
| Heaven's Deep Blue Sky - Philip Larsen Remix / Extended Version | Leo Spauls, Mike Garson, Philip Larsen | B Major | 9 | 1B | 140 BPM | ||
| Ciuri di strata | Olivia Sellerio | E Minor | 3 | 9A | 110 BPM | ||
| You'll Follow Me Down - Live - Bonus Track | Skunk Anansie | A Minor | 5 | 8A | 157 BPM | ||
| It's You or No One | Mike Garson | G Minor | 1 | 6A | 74 BPM | ||
| Don't Stand So Close To Me (feat. Armand Sabal-Lecco, Rusty Anderson, Amy Keys, Carmel Helene & Tamar Davis) | Stewart Copeland, Amy Keys, Carmel Helene, Tamar Davis, Rusty Anderson, Armand Sabal-Lecco | C Major | 7 | 8B | 142 BPM | ||
| Take a Bow (Four Hands Piano) | Matt Bellamy | F♯ Major | 4 | 2B | 118 BPM | ||
| Song For Guy | Elton John | C Major | 2 | 8B | 123 BPM | ||
| The Real Me - Live At Wembley, UK / 2019 | The Who, Isobel Griffiths Orchestra | A♭ Major | 9 | 4B | 163 BPM | ||
| Il padrone della Festa | Niccolò Fabi, Daniele Silvestri, Max Gazzè | F Major | 7 | 7B | 146 BPM | ||
| Echoes | Brian Bromberg, David Bromberg, Mike Garson, Ernie Watts | G Major | 5 | 9B | 95 BPM | ||
| Go (Hold On Tight) - Live | KillerStar, Mike Garson, Gerry Leonard, Mark Plati, Andy Snitzer | A Major | 9 | 11B | 122 BPM | ||
| Cornflake Girl - Live 2024 | Tori Amos | F Major | 4 | 7B | 111 BPM | ||
| Great Scott | Mike Garson | C Major | 4 | 8B | 152 BPM | ||
| Rock 'N' Roll With Me | Aaron David Gleason, Mike Garson | B♭ Major | 6 | 6B | 74 BPM |