Spectrals's ' "7th Date" was released on its scheduled release date, October 10, 2010. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. 7th Date's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 7 in A Spectrals Extended Play by Spectrals. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, 7th Date is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 7th Date by Spectrals is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In a Fable | Chris Cohen | G Minor | 6 | 6A | 135 BPM | ||
| Frightened Face | The Everywheres | C Major | 5 | 8B | 147 BPM | ||
| Next to You | Sam Evian, KAZU | B♭ Minor | 5 | 3A | 103 BPM | ||
| Ain't Horrible | Crepes | G Major | 4 | 9B | 127 BPM | ||
| Don't Mind | Spectrals | D♭ Major | 7 | 3B | 157 BPM | ||
| Billy & I | Travis Bretzer | G Minor | 7 | 6A | 146 BPM | ||
| Broken Finger Blues | Richard Swift | D Minor | 7 | 7A | 184 BPM | ||
| The Glass | Michael Nau | C Major | 5 | 8B | 100 BPM | ||
| Strictly Rule | Vetiver | A Major | 5 | 11B | 113 BPM | ||
| Baby I Need You | The Shivas | D Major | 6 | 10B | 105 BPM | ||
| Many Happy Returns | Spectrals | F Major | 3 | 7B | 91 BPM | ||
| Giving Up | Travis Bretzer | G Minor | 8 | 6A | 166 BPM | ||
| In a Bad Way | Spectrals | E♭ Minor | 4 | 2A | 169 BPM | ||
| Border On Border | Night Moves | E♭ Minor | 7 | 2A | 81 BPM | ||
| Nothing in Rambling | Helvetia | B Major | 6 | 1B | 202 BPM | ||
| Step Aside | Good Morning | G Minor | 6 | 6A | 119 BPM | ||
| No Quit | Michael Nau | G Minor | 7 | 6A | 88 BPM | ||
| True Blue | Dirty Beaches | C Major | 6 | 8B | 107 BPM | ||
| To Connect | Floating Action | D♭ Minor | 7 | 12A | 96 BPM | ||
| Well Acquainted | Dick Stusso | E Major | 4 | 12B | 100 BPM | ||
| Cyber | Baseball Gregg | F Major | 9 | 7B | 114 BPM | ||
| Don't Complain | Jons | B♭ Major | 7 | 6B | 114 BPM | ||
| The Law | The Everywheres | F Major | 5 | 7B | 127 BPM | ||
| Midnight Monday, And A Telescope | Cotton Jones | A♭ Major | 5 | 4B | 127 BPM | ||
| Dry Ice | Pure X | B Minor | 9 | 10A | 164 BPM |