湯山昭, Haruko Ueda's '鬼あられ' had a release date set for August 12, 2015. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 湯山昭 3大ヒットピアノ曲集, so we believe that "鬼あられ" is a single. In terms of popularity, 鬼あられ is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 鬼あられ by 湯山昭, Haruko Ueda is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ピアノ・ソナタ 第3番 ロ短調 作品58 第2楽章 | Kai Ichinose | E Major | 1 | 12B | 66 BPM | ||
| ポップ・コーン | 湯山昭, Haruko Ueda | A♭ Major | 1 | 4B | 109 BPM | ||
| My Heart At Thy Sweet Voice | J.K. Hodge | F♯ Minor | 1 | 11A | 108 BPM | ||
| ショパン: ピアノ協奏曲 第1番 ホ短調 作品11 〜第1楽章 (2台ピアノ) | Kai Ichinose, 雨宮修平 (Piano: 髙木竜馬) | E Minor | 0 | 9A | 165 BPM | ||
| 日曜日のソナチネ II. Scherzando (踊る時計) | 湯山昭, 神野明 | G Major | 3 | 9B | 79 BPM | ||
| Etude, Op. 18, No.3 G Major from Fünf Klavierstücke (Five Piano Pieces) - Duo-Art 0221 Br | Moritz Moszkowski, Arthur De Greef, Peter Phillips | A Major | 0 | 11B | 70 BPM | ||
| Moszkowski: 6 Klavierstücke, Op. 15: No. 1, Serenata | Moritz Moszkowski, Stephen Hough | D Major | 0 | 10B | 114 BPM | ||
| I. Adagio | Antonín Dvořák, Peter Breiner | G Major | 0 | 9B | 70 BPM | ||
| Humoreske Op.101-7 | Antonín Dvořák, Kazune Shimizu | A♭ Major | 2 | 4B | 107 BPM | ||
| Nocturnes, Op. 16: IV. Nocturne No. 4 | Ignacy Jan Paderewski, Hubert Rutkowski | E Minor | 1 | 9A | 76 BPM | ||
| Jazz Improvisation No.16 | Leo Alfassy, Joanna Sochacka | A Major | 0 | 11B | 70 BPM | ||
| ラフマニノフ:ヴォカリーズ | Sergei Rachmaninoff, Shinya Kiyozuka | A Major | 2 | 11B | 130 BPM | ||
| 24 Preludes, Op. 11: No. 8 in F-Sharp Minor. Allegro agitato | Alexander Scriabin, Mikhail Pletnev | G Major | 0 | 9B | 74 BPM | ||
| Schumann: Kinderszenen, Op. 15: No. 12, Kind im Einschlummern | Robert Schumann, Kenji Miura | A Major | 0 | 11B | 70 BPM | ||
| 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Ammiel Bushakevitz | F♯ Major | 0 | 2B | 67 BPM | ||
| 8 Morceaux caractéristiques, Op. 36: No. 2, Rêverie | Moritz Moszkowski, Seta Tanyel | A♭ Major | 0 | 4B | 145 BPM | ||
| 抒情小曲集 夜想曲 作品54の4 | エドヴァルド・グリーグ, イリーナ・メジューエワ | C Major | 0 | 8B | 140 BPM | ||
| Nocturne In A Flat Major, Op 62 No 3 | A Nanut | A♭ Major | 0 | 4B | 69 BPM | ||
| blooming spring | Piano perfume | A Major | 0 | 11B | 74 BPM | ||
| Producto de sus elecciones | Padre GainsCone | C Minor | 2 | 5A | 100 BPM | ||
| 8つの演奏会用エチュード 作品40: 第6番: パストラール | Nikolai Kapustin, Nobuyuki Tsujii | E♭ Major | 3 | 5B | 105 BPM | ||
| Prelude in A Major | Haro Stepanian, Mikael Ayrapetyan | C Minor | 1 | 5A | 65 BPM | ||
| Rondo Scherzando | Jason Sifford, Robert Thompson | E Minor | 2 | 9A | 141 BPM | ||
| Berceuse, Op. 26 No. 7 - Welte-Mignon 970 | Ludwig Theodor Schytte, Anna Jutta Schytte, Peter Phillips | G Major | 1 | 9B | 71 BPM | ||
| 夜想曲 第19番 ホ短調 作品72-1 「遺作」 | Frédéric Chopin, Dang Thai Son | C Minor | 0 | 5A | 78 BPM |