Nicolas Urcelay's 'Alma Mía' had a release date set for 1954. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Alma Mía's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Urcelay Canta A Maria Grever". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Mexico. In terms of popularity, Alma Mía is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Alma Mía by Nicolas Urcelay having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piensa en mí - Remastered | José Luis Moneró | D♭ Major | 3 | 3B | 121 BPM | ||
| Eso | Maria Victoria | F♯ Minor | 2 | 11A | 103 BPM | ||
| Llegando a Ti | Marco Antonio Muñiz | B♭ Major | 1 | 6B | 65 BPM | ||
| Asi (Asi, Asi) | Alberto Angel "El Cuervo" | G Major | 3 | 9B | 164 BPM | ||
| Canción Del Molino Rojo | Trio Delfines | F♯ Major | 4 | 2B | 129 BPM | ||
| Buen día tristeza | Giuseppe Fiorelli, Los Churumbeles De España, Mario Ruccione | F Major | 2 | 7B | 172 BPM | ||
| El Relicario | Juan Legido | B♭ Major | 5 | 6B | 139 BPM | ||
| Aquella Tarde | Berto González, Mercy Cantillo | F Major | 3 | 7B | 111 BPM | ||
| Nunca (with Libertad Lamarque) | Pedro Vargas, Libertad Lamarque | A Minor | 4 | 8A | 108 BPM | ||
| Aun Te Sigo Amando | Monna Bell | E Minor | 3 | 9A | 106 BPM | ||
| Llévatela | Daniel Riolobos | A♭ Major | 3 | 4B | 170 BPM | ||
| Te Me Olvidas | Olga Guillot | B Minor | 3 | 10A | 87 BPM | ||
| Ahora Quiero Vivir | Los Impala | A Major | 5 | 11B | 144 BPM | ||
| Júrame | José Mojica | D♭ Major | 3 | 3B | 74 BPM | ||
| Por Si No Te Vuelvo a Ver | Alberto Angel "El Cuervo" | A Major | 3 | 11B | 82 BPM | ||
| A la Orilla del Mar (Bolero) | Trio Caribe | A Major | 5 | 11B | 203 BPM | ||
| Déjame en Paz | Maria Luisa Landin | D♭ Major | 2 | 3B | 139 BPM | ||
| Ay Carino | Toña La Negra Y Daniel Santos | B Major | 2 | 1B | 100 BPM | ||
| Escarcha | Toña La Negra Y Daniel Santos | F Major | 3 | 7B | 131 BPM | ||
| Amor Ciego | Trio Los Tecolines | E Minor | 3 | 9A | 109 BPM | ||
| Mala noche | Emilio Tuero | D♭ Major | 3 | 3B | 119 BPM | ||
| Adiós | Sonia Y Myriam | C Major | 3 | 8B | 88 BPM | ||
| Habladurías | Gilberto Urquiza | A♭ Minor | 6 | 1A | 118 BPM | ||
| Regresa a Mí | Los Cuatro Hermanos Silva | F Major | 3 | 7B | 90 BPM | ||
| Tú Me Acostumbraste | Fernando De La Mora | F Major | 2 | 7B | 175 BPM |