Joseph Horovitz, Michael Collins, Michael McHale's 'Two Majorcan Pieces: I. Paguera' had a release date set for September 13, 2024. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Two Majorcan Pieces: I. Paguera's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 19 in English Music for Clarinet by Michael Collins, Michael McHale. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. The popularity of Two Majorcan Pieces: I. Paguera is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Two Majorcan Pieces: I. Paguera by Joseph Horovitz, Michael Collins, Michael McHale is Presto (very, very fast), since this song has a tempo of 188 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nocturne in Blue and Gold (with Catherine Milledge) | Martin Smith | A Minor | 0 | 8A | 72 BPM | ||
| Concerto for Soprano Saxophone and Wind Ensemble: I. Prelude | Timothy McAllister, ASU Wind Ensemble | G Minor | 5 | 6A | 102 BPM | ||
| Horovitz, Joseph: Horrortorio, A Choral Extravaganza: Recitative, "And in the castle guest room" (Tenor) - "If you can hurt" (Contralto, Chorus) | Alistair Sampson, Stephen Manton/April Cantelo/Pamela Bowden/John Frost/Lionel Salter/Hoffnung Festival Choral Society/Hoffnung Symphony Orchestra/Joseph Horovitz, Joseph Horovitz | D Major | 1 | 10B | 170 BPM | ||
| Horovitz, Joseph Horrortorio, a Choral Extravaganza Recitative, but at the Reception (Tenor) | The Hoffnung Symphony Orchestra, The Hoffnung Festival Choral Society, Joseph Horovitz, Stephen Manton | G Major | 2 | 9B | 75 BPM | ||
| Kinderszenen (Scenes of childhood), Op. 15: VII. Traumerei (Dreaming) (arr. P. Gaubert) | Philippe Gaubert, Fenwick Smith, Sally Pinkas | E Minor | 0 | 9A | 73 BPM | ||
| Trombone Concerto: I. Moderato assai ma molto maestoso (1st Version) | Launy Grøndahl, Jesper Juul Sorensen, Danish National Symphony Orchestra, Thomas Dausgaard | D♭ Major | 0 | 3B | 120 BPM | ||
| Music Hall Suit for Brass Quintet - II. Trick-Cyclists | Joseph Horovitz, Brass X | B♭ Major | 3 | 6B | 148 BPM | ||
| Fanfare for the Common Man | Aaron Copland, Philip Smith, New York Philharmonic, Alan Gilbert | B♭ Major | 2 | 6B | 110 BPM | ||
| Danzón | Johanny Navarro, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Suite from "The Victorian Kitchen Garden": II. Spring. Allegretto | Paul Reade, Michael Collins, Michael McHale | G Minor | 0 | 6A | 65 BPM | ||
| Quintet No. 3 in D-Flat Major, Op. 11: IV. Vivo | Victor Ewald, Center City Brass Quintet | D♭ Major | 1 | 3B | 123 BPM | ||
| undae | Christian Amstätter, Federspiel | B♭ Major | 2 | 6B | 86 BPM | ||
| Horn Concerto, Op. 58: II. Scherzo | Ruth Gipps, Martin Owen, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | ||
| Humming | Matthias Werner, Federspiel | B♭ Major | 2 | 6B | 86 BPM | ||
| Suite for flute and piano, Op. 116: II. Idylle | Benjamin Godard, Jeffrey Khaner | G Major | 0 | 9B | 83 BPM | ||
| Weber: Clarinet Concertino in E-Flat Major, Op. 26, J. 109: I. Adagio ma non troppo | Carl Maria von Weber, Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | C Major | 1 | 8B | 174 BPM | ||
| Clarinet & Saxophone Concerto: III. Laurentian Rapids, Pt. 1 (Live) | Maya Badian, National Symphony Orchestra of Teleradio-Moldova | A♭ Major | 3 | 4B | 174 BPM | ||
| Anders Högstedt: A Night At The Opera VIII | Anders Högstedt, Axiom Brass, Christian Lindberg | G Major | 1 | 9B | 112 BPM | ||
| Hommage à J Sebastian Bach | Béla Kovács, José María Belló García | B Minor | 1 | 10A | 120 BPM | ||
| Poulenc: Clarinet Sonata, FP 184: I. Allegro tristamente | Francis Poulenc, Sabine Meyer | A Minor | 0 | 8A | 74 BPM | ||
| Wind & Earth | Simon Zöchbauer, Federspiel | B♭ Major | 2 | 6B | 86 BPM | ||
| Horovitz, Joseph: Horrortorio, A Choral Extravaganza: Recitative, "And while the company retired to a well-earned rest" (Tenor) - "My child, be seated" (Bass, Men's Chorus) | Alistair Sampson, Stephen Manton/April Cantelo/Pamela Bowden/John Frost/Lionel Salter/Hoffnung Festival Choral Society/Hoffnung Symphony Orchestra/Joseph Horovitz, Joseph Horovitz | C Major | 1 | 8B | 200 BPM | ||
| 5 Bagatelles for clarinet and piano, Op. 23: 5. Fughetta - Allegro vivace | Gerald Finzi, Emma Johnson, Malcolm Martineau | F Major | 1 | 7B | 134 BPM | ||
| Tuba Concerto in F Minor: II. Romanza | Ralph Vaughan Williams, James Gourlay, Royal Ballet Sinfonia, Gavin Sutherland | B Minor | 1 | 10A | 84 BPM | ||
| 32 Etudes: F major - Allegro | Sean Osborn | E♭ Major | 1 | 5B | 115 BPM |