Apurva Krishna's ' "67. सीढ़ियों के नीचे की परछाई" was released on its scheduled release date, July 8, 2025. This song is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. There are a total of 100 in the song's album "Real Horror Story". In this album, this song's track order is #67. Furthermore, we believe that the track originated from India. 67. सीढ़ियों के नीचे की परछाई is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 67. सीढ़ियों के नीचे की परछाई by Apurva Krishna having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kab Hohi | Dukalu Yadav, Ram Sahu | D Minor | 5 | 7A | 150 BPM | ||
| Satya Kya Hai | Premanand Maharaj Ji | E♭ Major | 3 | 5B | 134 BPM | ||
| Nishank Ho Nirbhay Ho Mana Re | Anoopam Mission, Sadhu Pujya Sarjudasji | D♭ Major | 5 | 3B | 110 BPM | ||
| Shree Shivay Namastubhyyam | Shubham Rajput | B♭ Minor | 5 | 3A | 135 BPM | ||
| He Shivshankar He Gangadhar | Amrita Chaturvedi, Upadhyay | C Major | 0 | 8B | 138 BPM | ||
| Tum Hamare The Prabhu Ji | Tajinder Singh, Apurva Krishna | F♯ Major | 1 | 2B | 83 BPM | ||
| 33. भूतिया बच्चे की हँसी | Apurva Krishna | F♯ Major | 4 | 2B | 86 BPM | ||
| Karaneeya Meththa Suthraya - කරණීය මෙත්ත සූත්රය | Dharmavinaya | D Major | 2 | 10B | 72 BPM | ||
| Shri Madhurashtakam Stotram | Prem Prakash Dubey | F♯ Minor | 3 | 11A | 153 BPM | ||
| Sikshashtakam | Swarup Damodar Prabhu | F♯ Minor | 3 | 11A | 86 BPM | ||
| Yamniyam Sanjam | SRMD Bhakti | F Minor | 3 | 4A | 135 BPM | ||
| Hara Hara Hara Hara Samba Shiva | Sri Sathya Sai Bhajans | E Major | 5 | 12B | 139 BPM | ||
| Tumhi Meri Naiya Kinara Tumhi Ho - Live | Pujya Rajan Ji Official | B Major | 4 | 1B | 90 BPM | ||
| Moksha Sanyasa Yoga Intro | Shailendra Bharti | E♭ Minor | 6 | 2A | 77 BPM | ||
| Ram Rachit Shambhu Stuti | Manojj Negi | A♭ Major | 4 | 4B | 93 BPM | ||
| Balansathi Nivedan | Sachin Khedekar | D♭ Minor | 2 | 12A | 129 BPM | ||
| Bajarangi Laye Khabariya Ram Aate Nagariya | Pujya Rajan Ji Official | E♭ Major | 6 | 5B | 128 BPM | ||
| Thodi Si Betabi | Ridam Kumar, Suman | A Major | 5 | 11B | 154 BPM | ||
| Kapitel 38 | Raphael Kempermann | C Major | 0 | 8B | 137 BPM | ||
| Chalo Man Ganga Jamuna Teer | Susmita Das | C Major | 6 | 8B | 148 BPM | ||
| Nanya Spriha Raghupathe | Ramakrishna Math, Monks of the Ramakrishna Order | C Major | 2 | 8B | 84 BPM | ||
| Gujarati Dutt Bavani | Girnar Sadhana Ashram | D♭ Major | 6 | 3B | 96 BPM | ||
| Hare Krishna 2 - Original | Debjit, Bitu Samajpati, NA | C Major | 4 | 8B | 118 BPM | ||
| Aaju mon laagay udaas | Maithili Thakur | D♭ Major | 6 | 3B | 148 BPM | ||
| Guruji Mantra Jaap | Sunetra Chakraborty | D♭ Major | 8 | 3B | 88 BPM |