Austin Wintory, Montaigne, Anthony Rapp's 'What's Next (Red) (feat. Anthony Rapp)' had a release date set for June 27, 2024. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Stray Gods: Orpheus". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, What's Next (Red) (feat. Anthony Rapp)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With What's Next (Red) (feat. Anthony Rapp) by Austin Wintory, Montaigne, Anthony Rapp having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Resting Grounds | Christopher Larkin | C Minor | 1 | 5A | 86 BPM | ||
| The Highlands | Yasunori Nishiki | E Minor | 1 | 9A | 78 BPM | ||
| Watch the Waves | Frida Johansson, Henrik Oja | C Major | 4 | 8B | 118 BPM | ||
| Moth, Butterfly, and Torchbug | Brad Derrick | G Major | 1 | 9B | 90 BPM | ||
| Forest Calling | Bill Brown | B♭ Minor | 3 | 3A | 83 BPM | ||
| Havet | Joel Bille | A Minor | 1 | 8A | 134 BPM | ||
| The History Below | Austin Wintory | F Minor | 1 | 4A | 139 BPM | ||
| The Moon Over Mount Gorgon | Piotr Musiał | D Minor | 3 | 7A | 90 BPM | ||
| England (The Industrial Era) | Geoff Knorr | D Major | 1 | 10B | 97 BPM | ||
| Serene Blue | Tumult Kollektiv | A Minor | 1 | 8A | 110 BPM | ||
| Moonlight on the Nile | Sarah Schachner, Assassin's Creed | F♯ Minor | 1 | 11A | 80 BPM | ||
| Elmshore | Justin Bell | B♭ Major | 2 | 6B | 78 BPM | ||
| Dark Descent | Aakaash Rao | A Major | 4 | 11B | 139 BPM | ||
| Dirtmouth | Christopher Larkin | E Minor | 1 | 9A | 171 BPM | ||
| City On The Mesa - Part 3 - Onwards to Meridian | Joris de Man | C Minor | 1 | 5A | 136 BPM | ||
| Of Storms and Half-light | Daniel Ran | A Minor | 2 | 8A | 110 BPM | ||
| Fourth Confluence | Austin Wintory | E Minor | 1 | 9A | 84 BPM | ||
| All That The Light Reaches - Part 3 - Onwards to Meridian | The Flight | C Major | 1 | 8B | 81 BPM | ||
| Autumn Is Coming | Rob King, Paul Romero | A Minor | 2 | 8A | 117 BPM | ||
| Shards of the Exodar | Derek Duke | C Minor | 1 | 5A | 118 BPM | ||
| Entering Zephrah | Critical Role | B Minor | 2 | 10A | 116 BPM | ||
| The Power - Orchestral Version | Borislav Slavov | G Minor | 2 | 6A | 75 BPM | ||
| Into the Out | Tumult Kollektiv | C Minor | 1 | 5A | 128 BPM | ||
| Song of the Lost Girl - Kara | Philip Sheppard | B♭ Major | 4 | 6B | 147 BPM | ||
| A Different Story | Jason Graves | E Minor | 3 | 9A | 85 BPM |