Max Richter, Francisco Fullana, City Of Birmingham Symphony Orchestra, Carlos Izcaray's 'The Four Seasons Recomposed, Spring (After A. Vivaldi): I. —' had a release date set for March 2, 2018. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. The Four Seasons Recomposed, Spring (After A. Vivaldi): I. —'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Through the Lens of Time". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, The Four Seasons Recomposed, Spring (After A. Vivaldi): I. — is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Four Seasons Recomposed, Spring (After A. Vivaldi): I. — by Max Richter, Francisco Fullana, City Of Birmingham Symphony Orchestra, Carlos Izcaray having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ålesund | RØRE, Avery Bright | C Major | 2 | 8B | 100 BPM | ||
| Movement, Before All Flowers - Edit | Max Richter | D♭ Major | 2 | 3B | 86 BPM | ||
| Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 2 - 2012 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | D Major | 1 | 10B | 88 BPM | ||
| What Was Said | Ashley Bathgate, Paul Fowler | G Major | 1 | 9B | 168 BPM | ||
| Lavender Fields | Stephan Moccio | D Minor | 0 | 7A | 173 BPM | ||
| Spiral, for Violin, Piano and Strings: I. First Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman, Royal Philharmonic Orchestra | A Major | 5 | 11B | 110 BPM | ||
| Winning Him Over | David Schweitzer | F Major | 2 | 7B | 80 BPM | ||
| Wild Swans Suite - Version For Violin And Piano: 2. Eliza Aria | Elena Kats-Chernin, Daniel Hope, Jacques Ammon | F Major | 1 | 7B | 164 BPM | ||
| Resilience | Ardie Son, Christopher Galovan | F Major | 2 | 7B | 119 BPM | ||
| Transformation | The Cinematic Orchestra, London Metropolitan Orchestra | F♯ Major | 2 | 2B | 92 BPM | ||
| Wait For Me | Luca D'Alberto | G Minor | 4 | 6A | 88 BPM | ||
| Life | Alberto Giurioli | F Minor | 3 | 4A | 114 BPM | ||
| A Life Well Written | Christopher Willis | C Major | 3 | 8B | 91 BPM | ||
| Let it Be So | Madron | E♭ Major | 0 | 5B | 55 BPM | ||
| Rose Bay | Ludovico Einaudi | D Major | 0 | 10B | 112 BPM | ||
| New Queen | Martin Phipps | B♭ Major | 1 | 6B | 169 BPM | ||
| Shadow Journal | Max Richter, Tilda Swinton, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | G Minor | 1 | 6A | 143 BPM | ||
| Grey Cloud Lullaby | Slow Meadow | D Major | 2 | 10B | 63 BPM | ||
| Nocturne (Arr. for Solo Violin and Piano) | Dobrinka Tabakova, Mari Samuelsen, Julien Quentin | C Minor | 5 | 5A | 122 BPM | ||
| Dream 1 (before the wind blows it all away) - Pt. 1 | Max Richter | F♯ Major | 0 | 2B | 72 BPM | ||
| The Letter | Stuart Earl | G Minor | 1 | 6A | 100 BPM | ||
| Be the Mountain | Niall Breslin | G Minor | 2 | 6A | 79 BPM | ||
| Often A Bird | Wim Mertens | D Major | 1 | 10B | 154 BPM | ||
| Cambridge, 1963 | Jóhann Jóhannsson | B♭ Major | 1 | 6B | 83 BPM | ||
| The Consolations of Philosophy | Max Richter | G Major | 1 | 9B | 100 BPM |