"Concerto in F Major, Op. 6 No. 6: V. Allegro" by Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder had its release date on 2006. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 29 out of 63 in Correlli: Concerti Grossi, Op. 6 by Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Concerto in F Major, Op. 6 No. 6: V. Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto in F Major, Op. 6 No. 6: V. Allegro by Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder is Grave (very slow), since this song has a tempo of 32 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto No. 1 in D Major: I. Allegro assai | Alessandro Marcello, Simon Standage, Collegium Musicum 90 | D♭ Major | 3 | 3B | 106 BPM | ||
| Rameau: Zoroastre, Act 3: Entrée des montagnards | Jean-Philippe Rameau, Les Arts Florissants, William Christie | F Major | 1 | 7B | 49 BPM | ||
| Music from The Fairy Queen (1) (after Shakespeare: A Midsummer Night's Dream): Prelude | Henry Purcell, Emil Klein | G Minor | 2 | 6A | 136 BPM | ||
| 12 Concerti Grossi, Op. 6, No. 2 in F Major: I. Vivace - Allegro | Arcangelo Corelli, Europa Galante, Fabio Biondi | E Major | 1 | 12B | 120 BPM | ||
| Suite a-moll TWV55:a2: Suite a-moll TWV55:a2: Ouverture | Georg Philipp Telemann, Maurice Steger, Akademie für Alte Musik Berlin | A♭ Minor | 2 | 1A | 97 BPM | ||
| Concerto Grosso In F Major, Op. 6, No. 9: II. Allemanda: Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | F Major | 3 | 7B | 117 BPM | ||
| Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
| Concerto Grosso in D Minor, Op. 3, No. 4: IV. Vivace | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 2 | 7A | 131 BPM | ||
| Concerto In D Major, Op. 26, No. 6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | ||
| 12 Trio Sonatas, Op. 2, No. 6: I.-III. Allemanda - Corrente - Giga | Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | G Major | 1 | 9B | 114 BPM | ||
| Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
| Concerto Armonico No. 2 in B-Flat Major: Allegro moderato | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 4 | 12B | 106 BPM | ||
| Symphony No. 7 in B-Flat Major, Op. 2, "Pythian Ode": III. Jigg (Allegro assai) | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 122 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": III. Adagio | Johann Gottlieb Janitsch, Il Gardellino | E Major | 1 | 12B | 60 BPM | ||
| Ouverture a 7 concertanti in F Major - 2 Violini, 2 Oboe, Viola, Fagotto, Basso Continuo: Aria: Aria | Jan Dismas Zelenka, Il Fondamento, Paul Dombrecht | A♭ Minor | 1 | 1A | 78 BPM | ||
| Quintet (Sinfonia spirituosa) In D Major TWV 44:1, For 2 Violins, Viola And Basso Continuo: 1. Sinfonia spirituosa | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 125 BPM | ||
| Overture (Suite) In C Major, TWV 55: C6: II. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | C Major | 2 | 8B | 124 BPM | ||
| Noel Symphony No. 4 in D Minor: I. Une jeune pucelle: Moderato | Michel Corrette, Arion Trio | E Major | 2 | 12B | 153 BPM | ||
| Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | ||
| 6 Sonates en symphonies, Op. 3, Sonata No. 1: III. Gigha. Allegro | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 2 | 11A | 80 BPM | ||
| Overture for 2 Violins and B.C. in A Major, Op. 13,5: II. Allegro | Jean-Marie Leclair, Musica Alta Ripa | F♯ Minor | 2 | 11A | 75 BPM | ||
| Torelli : Concerto for Strings in G major Op.6 No.1 : III Adagio | Giuseppe Torelli, Ivor Bolton, St. James Baroque Players | F♯ Major | 0 | 2B | 79 BPM | ||
| Les Goûts-réünis - Concert No.14 in D minor: 2. Allemande | François Couperin, Les Talens Lyriques, Christophe Rousset | C Minor | 2 | 5A | 102 BPM | ||
| Chacony, Z628 | Henry Purcell, Accademia Bizantina, Stefano Montanari | E Major | 1 | 12B | 82 BPM | ||
| Concerto Grosso in C Minor, Op. 2, No. 2: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 2 | 5A | 97 BPM |