"Mother Macree" by James Griffett, Simon Lindley had its release date on November 8, 2011. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Mother Macree's duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 26 in Back to Ireland - Irish Songs & Ballads for Tenor by James Griffett. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Mother Macree is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mother Macree by James Griffett, Simon Lindley is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| On Wenlock Edge: Clun | Ralph Vaughan Williams, Haffner String Quartet, James Griffett, Beryl Ball | D Major | 0 | 10B | 68 BPM | ||
| Adoramus te, Christe | Giovanni Maria Nanino, London Oratory Schola Cantorum, Charles Cole | B♭ Major | 2 | 6B | 65 BPM | ||
| The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
| Music For Easter Sunday | Orlande de Lassus, Pro Cantione Antiqua, Charles Brett, Timothy Penrose, Christopher Keyte, Ian Partridge, Suzanne Flowers & Nancy Long, Stephen Roberts with Elizabeth Lane, James Griffett, Kevin Smith, Michael George | G Major | 7 | 9B | 148 BPM | ||
| Regna terrae | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 128 BPM | ||
| Hear my prayer, O Lord, full anthem, Z.15 | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent | D♭ Major | 1 | 3B | 73 BPM | ||
| Stella, Quam Viderant Magi | Piffaro | A♭ Major | 0 | 4B | 68 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 1: IIb. Kyrie eleison | Edward Elgar, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins | E♭ Major | 0 | 5B | 129 BPM | ||
| Surge, Propera Amica Mea | Raffaella Aleotti, The Mancunium Consort | A Minor | 3 | 8A | 79 BPM | ||
| The Lord's prayer | Ars Poliphonica | E♭ Major | 0 | 5B | 129 BPM | ||
| Tristitia et anxietas a 5 (Cantiones Sacrae, 1589): II. Sed tu Domine | William Byrd, Owain Park, The Gesualdo Six | D♭ Minor | 1 | 12A | 134 BPM | ||
| Gloria in D Major: Et in terra | Antonio Lotti, Mária Zádori, Judit Nemeth, Gábor Oláh, Tibor Gyenge, László Donyec, Mihály Lakatos, Henrik Hirschberg, Antal Pálkövi, Lotti Chamber Choir, Camerata Pro Musica Chamber Orchestra, Ferenc Rózsa | D Major | 0 | 10B | 84 BPM | ||
| Lagrime di San Pietro: No. 21, Vide homo, LV 1025 | Orlande de Lassus, Doulce Mémoire, Denis Raisin-Dadre | E♭ Major | 0 | 5B | 129 BPM | ||
| Thou Knowest, Lord, the Secrets of Our Hearts, Z. 58c | Henry Purcell, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM | ||
| Vidimus Stellam: II. Rorate Caeli | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | A Major | 1 | 11B | 74 BPM | ||
| Beatitudes | Jocelyn Hagen, Timothy C. Takach, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith | D Major | 0 | 10B | 85 BPM | ||
| Mass for unaccompanied double choir: V. Agnus Dei | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 0 | 9A | 84 BPM | ||
| Ne Reminiscaris | John Wilbye, English Consort of Viols, Nicholas McGegan, James Griffett | E♭ Major | 2 | 5B | 79 BPM | ||
| Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
| O magnum mysterium: I. O magnum mysterium | Peter Maxwell Davies, Howard Arman, Bavarian Radio Chorus | F♯ Major | 1 | 2B | 110 BPM | ||
| Sweet day | Ars Poliphonica | E♭ Major | 0 | 5B | 129 BPM | ||
| O Saviour of the World | John Goss, Choir of Clare College, Cambridge, Timothy Brown | A♭ Major | 0 | 4B | 134 BPM | ||
| Missa Iste confessor domini: Christe Ia | Pierre de la Rue, Musurgia Ensemble, João Francisco Távora | E♭ Major | 0 | 5B | 129 BPM | ||
| Abendlied | Laudate Mennonite Ensemble | D Major | 1 | 10B | 72 BPM | ||
| Look Down, O Lord | Jonathan Seers, The Gesualdo Six, Owain Park | A♭ Minor | 1 | 1A | 86 BPM |