"Suite for Cello Solo I" by Kate Moore, Katharina Gross had its release date on April 29, 2025. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Suite for Cello Solo I's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 17 in Cellomondo #4 - Inside by Katharina Gross. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Suite for Cello Solo I is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite for Cello Solo I by Kate Moore, Katharina Gross is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| We Were To | Mette Henriette | A♭ Minor | 0 | 1A | 89 BPM | ||
| Insight | Dobrinka Tabakova, Maxim Rysanov, Roman Mints, Kristine Blaumane | D Minor | 1 | 7A | 86 BPM | ||
| Ode to Arvo | Carolyn Barela | D Minor | 3 | 7A | 80 BPM | ||
| Quatre-Vingt-Dix | Anne Chmelewsky | D Major | 3 | 10B | 179 BPM | ||
| A Hudson Cycle | Nico Muhly, Lavinia Meijer | B♭ Minor | 0 | 3A | 92 BPM | ||
| Bagatellen: V | Valentin Silvestrov | G Major | 0 | 9B | 92 BPM | ||
| Long Meadow | Rael Jones, Brother Tree Sound | C Major | 1 | 8B | 68 BPM | ||
| Restrictus - Annelie Rework | Mario Batkovic, Annelie | E♭ Minor | 0 | 2A | 148 BPM | ||
| Paris | Meredith Monk, Ursula Oppens | A Minor | 1 | 8A | 69 BPM | ||
| Unsent Love Letters | Elena Kats-Chernin, Tamara Anna Cislowska | D♭ Major | 0 | 3B | 183 BPM | ||
| Particles Waves | Benjamin Woodgates, Calum Huggan, Angela Wai Nok Hui | F♯ Minor | 0 | 11A | 83 BPM | ||
| Assyrian Women Mourners | G. I. Gurdjieff, Thomas de Hartmann, Gurdjieff Quartet | B♭ Minor | 2 | 3A | 87 BPM | ||
| V. Duplicity | Peter Gregson, Warren Zielinski, Magdalena Filipczak, Laurie Anderson, Ashok Klouda | E Major | 1 | 12B | 141 BPM | ||
| Serein | Dmitry Evgrafov | C Minor | 0 | 5A | 90 BPM | ||
| Kutsanmış / Blessed / Gesegnet | H. Umut Asil | C Major | 0 | 8B | 80 BPM | ||
| The Path Through My Heart | Hanne Diamond | E Minor | 0 | 9A | 140 BPM | ||
| Spin Bird - 2 | Kate Moore, Saskia Lankhoorn | F♯ Minor | 0 | 11A | 67 BPM | ||
| Womans Dance | G. I. Gurdjieff, Thomas de Hartmann, Gurdjieff Quartet | C Minor | 1 | 5A | 121 BPM | ||
| Alone in the Darkness | Allexandre Goz, Cats Rule the World | A Minor | 1 | 8A | 101 BPM | ||
| A Minor Benediction | Yaroslav Medvedev-Taraldset, Edmund Percival Montfort | F♯ Minor | 0 | 11A | 83 BPM | ||
| Song of Ropes: II. Solo Cello | Kate Moore, Rowena MacNeish | C Major | 2 | 8B | 76 BPM | ||
| Faust / Episode 2: Nachspiel | Karsten Gundermann, Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey | C Major | 0 | 8B | 81 BPM | ||
| Arrive on the Mat | The Yoga Pianist | F♯ Minor | 0 | 11A | 83 BPM | ||
| Night on Earth | Emily Hultmark, Sara Övinge, Hanne Moe Skjelbred, Gregor Riddell | D Major | 3 | 10B | 95 BPM | ||
| Song of the Birds | Pau Casals, Daniel Müller-Schott | C Major | 0 | 8B | 130 BPM |