IMLÉ's 'Buail Arís Mé' had a release date set for 2016. This song is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The track order of this song in IMLÉ's "IMLÉ" album is number 7 out of 15. On top of that, Ireland appears to be the country where this track was created. The popularity of Buail Arís Mé is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Buail Arís Mé by IMLÉ to be Presto (very, very fast) because the track has a tempo of 181 BPM, a half-time of 90BPM, and a double-time of 362 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| For What It's Worth | Susan O'Neill, Valerie June | A Major | 6 | 11B | 157 BPM | ||
| Last Drink | Scotstown Dance Band | G Major | 5 | 9B | 126 BPM | ||
| This Reality | Bog Bodies | E♭ Major | 3 | 5B | 77 BPM | ||
| If I Was A Painter | Lisa O'Neill | F Major | 5 | 7B | 107 BPM | ||
| I Don't Want to Ride Your Aul Lad Anymore | The Deadlians | G Major | 3 | 9B | 122 BPM | ||
| Behave Myself | She Drew The Gun | D Major | 8 | 10B | 140 BPM | ||
| NEW CELTIC FLOW | Blue Niall, Celaviedmai | G Minor | 7 | 6A | 80 BPM | ||
| Dúlamán | Huartan | C Major | 6 | 8B | 122 BPM | ||
| Tijuana | Susan O'Neill | C Major | 3 | 8B | 128 BPM | ||
| Blah! Blah! Blah! | LYR | A Major | 6 | 11B | 157 BPM | ||
| Raised on Robbery | Kate Stables, Jesca Hoop, Lail Arad | C Major | 3 | 8B | 149 BPM | ||
| Iontach Bheith Beo (Good to be Alive) | Clare Sands, BRÍDÍN | D Major | 5 | 10B | 127 BPM | ||
| Brother Was A Runaway | Adrian Crowley | C Major | 6 | 8B | 91 BPM | ||
| Devil's Spoke | Laura Marling | D Major | 6 | 10B | 118 BPM | ||
| Juliet as Epithet | Hamish Hawk | C Major | 4 | 8B | 130 BPM | ||
| Ceap Do Shuaimhneas | IMLÉ | C Minor | 3 | 5A | 181 BPM | ||
| Song of the Fishgutters | Janice Burns & Jon Doran | C Minor | 2 | 5A | 130 BPM | ||
| Charlie | Beluga Lagoon | C Major | 7 | 8B | 90 BPM | ||
| Murda Meaisín | Súil Amháin, Tuath | D Major | 7 | 10B | 95 BPM | ||
| Come Out Ye Black 'N' Tans | The Young Wolfe Tones, Derek Warfield | G Minor | 9 | 6A | 120 BPM | ||
| Everything Is Free | Lady Nade | B♭ Major | 4 | 6B | 121 BPM | ||
| The Man Who Seeks Pleasure | Madra Salach | A Major | 6 | 11B | 157 BPM | ||
| It's Not Your Fault That Your a Man | Lisa O'Neill | C Major | 2 | 8B | 166 BPM | ||
| Power of the Moon | Ezra Furman | E Major | 8 | 12B | 130 BPM | ||
| The Snail | Beluga Lagoon | E Minor | 5 | 9A | 125 BPM |